Dance of the Happy Shades

straightforward plan, no order that an outsider could understand; yet what was haphazard time had made final. The place had become fixed, impregnable, all its accumulations necessary, until it seemed that even the wash-tubs, mops, couch springs and stacks of old police magazines on the back porch were there to stay.
    Mary and Danny walked down the road that had been called, in Mrs. Fullerton’s time, Wicks Road, but was now marked on the maps of the subdivision as Heather Drive. The name of the subdivision was Garden Place, and its streets were named for flowers. On either side of the road the earth was raw; the ditches were running full. Planks were laid across the open ditches, planks approached the doors of the newesthouses. The new, white and shining houses, set side by side in long rows in the wound of the earth. She always thought of them as white houses, though of course they were not entirely white. They were stucco and siding, and only the stucco was white; the siding was painted in shades of blue, pink, green and yellow, all fresh and vivid colours. Last year, just at this time, in March, the bulldozers had come in to clear away the brush and second-growth and great trees of the mountain forest; in a little while the houses were going up among the boulders, the huge torn stumps, the unimaginable upheavals of that earth. The houses were frail at first, skeletons of new wood standing up in the dusk of the cold spring days. But the roofs went on, black and green, blue and red, and the stucco, the siding; the windows were put in, and plastered with signs that said, Murry’s Glass, French’s Hardwood Floors; it could be seen that the houses were real. People who would live in them came out and tramped around in the mud on Sundays. They were for people like Mary and her husband and their child, with not much money but expectations of more; Garden Place was already put down, in the minds of people who understood addresses, as less luxurious than Pine Hills but more desirable than Wellington Park. The bathrooms were beautiful, with three-part mirrors, ceramic tile, and coloured plumbing. The cupboards in the kitchen were light birch or mahogany, and there were copper lighting fixtures there and in the dining ells. Brick planters, matching the fireplaces, separated the living rooms and halls. The rooms were all large and light and the basements dry, and all this soundness and excellence seemed to be clearly, proudly indicated on the face of each house—those ingenuously similar houses that looked calmly out at each other, all the way down the street.
    Today, since it was Saturday, all the men were out working around their houses. They were digging drainage ditches and making rockeries and clearing off and burning torn branches and brush. They worked with competitive violence and energy,all this being new to them; they were not men who made their livings by physical work. All day Saturday and Sunday they worked like this, so that in a year or two there should be green terraces, rock walls, shapely flower beds and ornamental shrubs. The earth must be heavy to dig now; it had been raining last night and this morning. But the day was brightening; the clouds had broken, revealing a long thin triangle of sky, its blue still cold and delicate, a winter colour. Behind the houses on one side of the road were pine trees, their ponderous symmetry not much stirred by any wind. These were to be cut down any day now, to make room for a shopping centre, which had been promised when the houses were sold.
    And under the structure of this new subdivision, there was still something else to be seen; that was the old city, the old wilderness city that had lain on the side of the mountain. It had to be called a city because there were tramlines running into the woods, the houses had numbers and there were all the public buildings of a city, down by the water. But houses like Mrs. Fullerton’s had been separated from each other by uncut forest and a jungle of wild blackberry and salmonberry bushes; these surviving houses, with thick smoke coming out of their chimneys, walls unpainted and patched and showing different degrees of age and darkening, rough sheds and stacked wood and compost heaps and grey board fences around them—these appeared every so often among the large new houses of Mimosa and Marigold and Heather Drive—dark, enclosed, expressing something like savagery in their disorder and the steep, unmatched angles of roofs