Dreams from My Father

nodded self-consciously to the beat of the music and said “Excuse me” every few minutes. After maybe an hour, they asked me if I’d be willing to take them home.
    “What’s the matter?” Ray shouted over the music when I went to let him know we were leaving. “Things just starting to heat up.”
    “They’re not into it, I guess.”
    Our eyes met, and for a long stretch we just stood there, the noise and laughter pulsing around us. There were no traces of satisfaction in Ray’s eyes, no hints of disappointment; just a steady gaze, as unblinking as a snake’s. Finally he put out his hand, and I grabbed hold of it, our eyes still fixed on each other. “Later, then,” he said, his hand slipping free from mine, and I watched him walk away through the crowd, asking about the girl he’d been talking to just a few minutes before.
    Outside the air had turned cool. The street was absolutely empty, quiet except for the fading tremor of Ray’s stereo, the blue lights flickering in the windows of bungalows that ran up and down the tidy lane, the shadows of trees stretching across a baseball field. In the car, Jeff put an arm on my shoulder, looking at once contrite and relieved. “You know, man,” he said, “that really taught me something. I mean, I can see how it must be tough for you and Ray sometimes, at school parties…being the only black guys and all.”
    I snorted. “Yeah. Right.” A part of me wanted to punch him right there. We started down the road toward town, and in the silence, my mind began to rework Ray’s words that day with Kurt, all the discussions we had had before that, the events of that night. And by the time I had dropped my friends off, I had begun to see a new map of the world, one that was frightening in its simplicity, suffocating in its implications. We were always playing on the white man’s court, Ray had told me, by the white man’s rules. If the principal, or the coach, or a teacher, or Kurt, wanted to spit in your face, he could, because he had power and you didn’t. If he decided not to, if he treated you like a man or came to your defense, it was because he knew that the words you spoke, the clothes you wore, the books you read, your ambitions and desires, were already his. Whatever he decided to do, it was his decision to make, not yours, and because of that fundamental power he held over you, because it preceded and would outlast his individual motives and inclinations, any distinction between good and bad whites held negligible meaning. In fact, you couldn’t even be sure that everything you had assumed to be an expression of your black, unfettered self—the humor, the song, the behind-the-back pass—had been freely chosen by you. At best, these things were a refuge; at worst, a trap. Following this maddening logic, the only thing you could choose as your own was withdrawal into a smaller and smaller coil of rage, until being black meant only the knowledge of your own powerlessness, of your own defeat. And the final irony: Should you refuse this defeat and lash out at your captors, they would have a name for that, too, a name that could cage you just as good. Paranoid. Militant. Violent. Nigger.
             
    Over the next few months, I looked to corroborate this nightmare vision. I gathered up books from the library—Baldwin, Ellison, Hughes, Wright, DuBois. At night I would close the door to my room, telling my grandparents I had homework to do, and there I would sit and wrestle with words, locked in suddenly desperate argument, trying to reconcile the world as I’d found it with the terms of my birth. But there was no escape to be had. In every page of every book, in Bigger Thomas and invisible men, I kept finding the same anguish, the same doubt; a self-contempt that neither irony nor intellect seemed able to deflect. Even DuBois’s learning and Baldwin’s love and Langston’s humor eventually succumbed to its corrosive force, each man finally forced to doubt art’s redemptive power, each man finally forced to withdraw, one to Africa, one to Europe, one deeper into the bowels of Harlem, but all of them in the same weary flight, all of them exhausted, bitter men, the devil at their heels.
    Only Malcolm X’s autobiography seemed to offer something different. His repeated acts of self-creation spoke to me; the blunt poetry of his words, his unadorned insistence on respect, promised a new and uncompromising order, martial in its discipline, forged