Drop City

ascent. There might have been snow in the air, if he knew enough to feel it, to smell it in the way Sess Harder could, or Iron Steve or old Tim Yule, who sat outside on the porch of his frame house in Boynton no matter what the weather. Marco could feel the tug of Drop City loosening as he made his way downriver, and he did look back, two or three times, just to admire the way the buildings defied the vacancy of the land, to watch the conjoined swirl of the smoke from four separate stoves twist up into the sky and listen to the fading shouts of Che and Sunshine, their figures drawn down to nothing as they hammered across the yard in their homemade snowsuits and red rubber boots.
    He'd given Ronnie a week, and a week was more than he had to spare. Joe Bosky and Pan the wood sprite might have gotten their meat, and Sess Harder certainly had his and probably everybody in Boynton had theirs too and half the weekend hunters from Fairbanks, Anchorage and points south, but Drop City had nothing. And that was a concern, a real concern, because pretty soon it would be too late, the moose gone stringy and tough from the rut, and despite the protests of the vegetarians, they were going to need meat to get them through till spring--either that or they'd be trapping mice under the floorboards and boiling up their shoes like Charlie Chaplin. It was frustrating too. At the end of October, just before Halloween, he and Star had been awakened by a sound that was like the rumble of fifty-five-gallon fuel drums rolling down the hill out of the trees, a deep thump and boom that resounded through the cabin and shook him out of bed and right on out the door in his stocking feet. Two moose--bulls--were going at each other on the gravel bar, great big quaking truckloads of meat suspended on the ridiculous poles of their delicate moose legs, no thought in the world but for each other and the cow just visible in the stripped yellow crown of willow behind them, and Marco standing there with empty hands like some Stone Age hunter's apprentice, and what was he going to do, throw rocks at them? Jump on their backs and cut their throats severally while the tribe looked on wringing their hands? Ronnie had taken the rifles as if they were his alone, and Ronnie was going to give them back. It wasn't a question of ownership or even of right and wrong. It was a matter of survival, just that.
    There was no sign of life at Sess's place--smoke rising from the chimney, but nothing moving in the yard--and that was all right, because he didn't intend to stop in till he was on the way back, _with__ the rifles slung over his shoulder. Sess was his advisor, his mentor, the man who was going to instruct him in all the recondite ways of the country, and he'd already had to endure the humiliation of admitting to him that they had no rifle worth the name with which to go out and get their meat--Deuce had a .22 for potting rabbits and ground-hogs, and that was about it--and he was damned if he was going to appear weak in front of him again. So he walked on by the Harder cabin, and though the dogs raised a noise, no one came to the door and no face appeared at the window.
    There wasn't much snow--just enough to whiten the ground--and Sess had told him not to expect Santa's Workshop or whatever the people down below tried to make Alaska out to be. This wasn't a postcard. It wasn't the Cascades or the Sierra Nevada. The country around here, in the interior, was about the driest in Alaska, and if they got twelve or fourteen inches of precipitation a year, that was about it. The thing was, the precipitation _stayed.__ There was no meltoff in winter, and in summer, the rains just pooled over the permafrost, which in turn created a vision of paradise for the mosquitoes--and the midges and no-see-ums and all the rest of the winged and fanged world. Marco kept on, studying the snow for sign, trying to read the country the way Sess would. It was warm now, up into the teens, at least, and he unzipped his parka and let the ends of his scarf dangle free. After a while he found himself whistling, a shrill, between-the-teeth rendition of “I Am a Child,” and where had that come from? He'd been fooling around with the guitar again lately--Geoffrey's guitar--and this just might be a tune to pick up on, he was thinking, nothing too complex, a sweet lilting melody floating over the chords, but then the vocal--the vocal might be a stretch. He'd just have to take it down a key or