Fear Nothing

not English, of course, not a word of it; and although I'm not multilingual, I'm certain it wasn't any foreign tongue, either, for it was not complex enough to be a true language. It was, however, a fluent series of exotic sounds crudely composed like words, a powerful but primitive attempt at language, with a small polysyllabic vocabulary, marked by urgent rhythms.
        The Other seemed pathetically desperate to communicate. As I listened, I was surprised to find myself emotionally affected by the longing, loneliness, and anguish in its voice. These were not qualities that I imagined. They were as real as the boards beneath my feet, the stacked boxes against my back, and the heavy beating of MY heart.
        When the Other and the priest both fell silent, I wasn't able to look around the corner. I suspected that whatever the priest's visitor might look like, it would not pass for a real monkey, as did those members of the original troop that had been tormenting Bobby and that Orson and I had encountered on the southern horn of the bay. If it resembled a rhesus at all, the differences would be greater and surely more numerous than the baleful dark-yellow color of the other monkeys' eyes.
        If I was afraid of what I might see, my fear had nothing whatsoever to do with the possible hideousness of this laboratory-born Other. My chest was so tight with emotion that I couldn't draw deep breaths, and my throat was so thick that I could swallow only with effort. What I feared was meeting the gaze of this entity and seeing my own isolation in its eyes, my own yearning to be normal, which I'd spent twenty-eight years denying with enough success to be happy with my fate. But my happiness, like everyone's, is fragile. I had heard a terrible longing in this creature's voice, and I felt that it was akin to the sharp longing around which I had ages ago formed a pearl of indifference and quiet resignation; I was afraid that if I met the Other's eyes, some resonance between us would shatter that pearl and leave me vulnerable once more.
        I was shaking.
        This is also why I cannot, dare not, will not express my pain or my grief when life wounds me or takes from me someone I love. Grief too easily leads to despair. In the fertile ground of despair, self-pity can sprout and thrive. I can't begin to indulge in self-pity, because by enumerating and dwelling upon my limitations, I will be digging a hole so deep that I'll never again be able to crawl out of it. I've got to be something of a cold bastard to survive, live with a chinkless shell around my heart at least when it comes to grieving for the dead. I'm able to express my love for the living, to embrace my friends without reservation, to give my heart without concern for how it might be abused. But on the day that my father dies, I must make jokes about death, about crematoriums, about life, about every damn thing, because I can't risk - won't risk - descending from grief to despair to self-pity and, finally, to the pit of inescapable rage and loneliness and self-hatred that is freakdom. I can't love the dead too much. No matter how desperately I want to remember them and hold them dear, I have to let them go - and quickly. I have to push them out of my heart even as they are cooling in their deathbeds. Likewise, I have to make jokes about being a killer, because if I think too long and too hard about what it really means to have murdered a man, even a monster like Lewis Stevenson, then I will begin to wonder if I am, in fact, the freak that those nasty little shitheads of my childhood insisted that I was: the Nightcrawler, Vampire Boy, Creepy Chris. I must not care too much about the dead, either those whom I loved or those whom I despised. I must not care too much about being alone. I must not care too much about what I cannot change. Like all of us in this storm between birth and death, I can wreak no great changes on the world, only small changes for the better, I hope, in the lives of those I love, which means that to live I must care not about what I am but about what I can become, not about the past but about the future, not even so much about myself as about the bright circle of friends who provide the only light in which I am able to flourish.
        I was shaking as I contemplated turning the corner and facing the Other, in whose eyes I might see far too much of myself. I was clutching the Glock as if it were a talisman rather than a weapon, as