Frankenstein
pines.
Here Victor had died. Deucalion witnessed his execution. This debunker of the idea of human exceptionalism, this enemy of humanity itself, this would-be designer of a super race, had after all been human himself, had died and been buried under hundreds of tons of trash, deep in the landfill. His crushed and lifeless body could not have been resurrected.
Low overhead, bat wings churned.
In the insect-rich air above the dump, the night of feeding was done. The flight from the approaching dawn had begun, the great flock of bats gathering from across the sprawling landfill where they had been dining as they swooped and soared, now coalescing into a wheel turning in the air directly above Deucalion, scores of individuals pumping around, around, and then hundreds in a widening gyre, the flock now a swarm, abruptly a thousand strong or stronger, unlike anything he had before experienced. The initial rustle of their membranous wings swelled into a hum that seemed to vibrate through Deucalion as if his spine were a tuning fork—or as if his entire skeleton were a receiving dish for a message the bats were sending.
In this intermission between moonset and sunrise, the airborne rodent pack shrieked as one and flew north toward whatever cave might be their sanctuary during the hours ruled by the sun. In their wake came stillness as deep as that of pooled and waveless water.
Mirroring the outer stillness, Deucalion felt a sudden and unique inner calm of uncommon depth. All his teeming thoughts were in an instant hushed and his attention was drawn deep into the still waters of his mind, where swam a momentous, slowly rising awareness: a realization that the bats had been a sign with specific meaning for him.
A sign that his suspicion had merit. His hunch was herewith elevated to a clear premonition of true threat. The bats circling overhead, focusing his attention, were a symbol meant to tell him that somehow Victor
was
alive.
Like the bats, Victor was a creature of the night. In fact, he was the avatar of night, the embodiment of darkness, his soul long lost and his moral landscape without a ray of light. In a world of profound meaning, Victor flew blind, counting on his obsession to be his radar.
After the debacle in New Orleans, he would be less inclined to show himself in public than the bats were inclined to linger for the rising of the sun. He would avoid cities in favor of a rural haven.
And with complete conviction, Deucalion
knew
that when Victor was located, he would be found underground, like the bats in their cave, underground but not dead, underground and at work on some new creation.
Although psychic powers were not one of Deucalion’s lightning-conveyed gifts, he believed that his longevity had been granted that he might be the agent of his maker’s final destruction. He had come down the centuries like a bloodhound on a trail. Although he was not clairvoyant, from time to time, a mysterious power seemed to direct his attention toward his elusive prey as effectively as the hound was drawn forward by the scent of its quarry.
chapter
12
In her Ford Explorer, she drove slowly into town as the gold and rose fingers of the dawn reached toward fading stars that eluded them. The journey was only four miles, but by the time she arrived at her destination, the eastern half of the sky became a celebration of color exceeding any fireworks display, while the western half brightened from black to sapphire to an enchanting peacock-blue.
Erika Five loved the world. She was charmed by winter snow, each flake a tiny frosted flower, the white vistas, the scalloped drifts, and she thrilled to the early green shoots in spring meadows, to the summer fields blazing with balsam-root flowers like fallen petals of the sun. The mountains in the distance inspired her: massive faces of sheer rock thrusting skyward and more gentle slopes mantled in evergreens. The forest that reached down the foothills and across half her property was her cathedral, with countless vaulted ceilings and colonnades, where she often gave thanks for the gift of the world, for Montana, and for her existence.
She had been designated Erika Five because she was the fifth Erika,all as alike as identical quintuplets, that Victor had grown in his creation tanks at the Hands of Mercy in New Orleans. As his ideal of grace and beauty and erotic allure, the five had served as his wife, one by one, without benefit of marriage.
The first four
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