Frankenstein

to glow in the morning light.
    She told him about the cowboy, Addison Hawk, who opened doors for her and was unusually courteous. Jocko agreed that the encounter had some meaning in addition to being a howdy-do moment with one of the townsfolk, but the cowboy’s deeper intention eluded him, too.
    By the time the little guy was eating his fifth pastry, Erika decided that he had settled enough to be able to handle the bad news. She told him about seeing Victor.
    Jocko passed out facedown in his cinnamon roll.

    
chapter
24

    He sweated considerably during the night. The sheets were still damp and didn’t smell fresh, but no one would change them.
    The water in his bedside carafe was tepid. Nurses and nurses’ aides promised to fill it with fresh ice, but they forgot to do so.
    Although he didn’t want antianxiety medication, he knew that he was supposed to receive it, but no one brought the pills.
    Breakfast proved filling and palatable. But his dirty dishes had been on the tray table for hours, awaiting collection.
    Bryce Walker had never been a curmudgeon, but for many months, life had seemed to be steering him along that road. This morning, the staff of Rainbow Falls Memorial Hospital appeared to be determined to lay the pavement ahead of him.
    Until Renata died eighteen months earlier, Bryce hadn’t known a cantankerous moment in his seventy-two years. His temperament was so mellow that Rennie called him “my Mr. Rogers,” referring to the children’s TV-show host with a soft voice and a sweet manner that endeared him to generations of children.
    If he and Rennie could have had children, maybe Bryce wouldn’t be slowly but surely morphing from benign geezer to grouch. A child would have been a small part of Rennie still alive. More than anything, loneliness rubbed him raw, scarred and coarsened him.
    Eight o’clock the previous evening, complaining of severe chest pains, he had arrived by ambulance. An emergency MRI supposedly showed no signs of heart disease, and other tests indicated that he hadn’t suffered a heart attack. Within an hour, the pain entirely relented.
    Joel Rathburn, his doctor for more than sixteen years, wanted him to stay for further evaluation the following day, Tuesday. A sedative gave Bryce the best sleep he’d enjoyed in a year.
    When he awakened, he felt engaged with life for the first time in months, perhaps because he so recently thought he was dying. In spite of the stale sheets, Bryce began the day with good cheer.
    In fact, for the first time in
ages
, he felt like writing. For forty years, he’d earned a decent living as a Western novelist. Six of his yarns had been made into movies, all before he was forty years old, none since.
    Cattle barons tormenting sheep ranchers, sheep ranchers against homesteading farmers. Good men with hard codes of honor and hard men with dishonorable intentions. Train robbers, bank busters, posses in pursuit. Vast plains, high mesas, box canyons, purple sage, burning sands, the bones of bad men picked clean by vultures. Gunfights at dawn, showdowns at high noon, fast horses and faster guns.
    God, he
loved
that stuff. He loved it as a kid, and he wrote it all his life with never a day of writer’s block, never a moment of disenchantment.
    During the last fifteen years, fewer and fewer Westerns were published, and publishers offered ever less for them. The golden age of the genre was long gone.
    Readers didn’t have affection for the past anymore because they didn’t believe in it. They’d been told for too long that everything they knew about the past was a lie, that the good men with hard codes were actually the bad men and that the outlaws were either victims of injustice or rebels against conformity—which were the
real
lies.
    People didn’t believe in the past, and they didn’t believe in the present or the future because they were told constantly that they were headed toward one cataclysm or another, that before them lay a smorgasbord of dooms. They believed only in the
far
future where adventures took place on distant planets nothing like Earth and involved characters little or nothing like contemporary human beings, or they wanted parallel worlds with wizards and warlocks, where all problems were solved with wands, spells, and the summoning of demons.
    Bryce Walker disliked those kinds of stories partly because he could see nothing real in them, but mostly because they were full of thrills without meaning, color without