Hater
substantial military presence out on the streets doesn't inspire me or fill me with confidence. If anything it makes me feel worse.
As we move away from the motorway the traffic begins to thin out again. I put my foot down and continue towards home.
My nervousness and paranoia is increasing by the second. I need to be back with my family.
The streets we're driving through now are uncomfortably silent and still. It all looks and feels perverse. The country seems to be tearing itself apart with unprecedented levels of violence, so why is everywhere so quiet? The normal human reaction to a threat like the Haters would be to stand and fight but today we can't. These people are sick. They're driven by a desire to kill and destroy and, from what I've seen, they won't stop until those desires have been satisfied. To stand and fight against them would mean displaying the same emotions as they do. It would be self-destructive. To fight back is to risk being called a Hater too. All we can do is keep ourselves to ourselves and not retaliate. The population is withdrawing from each other in fear. Fear of everyone else and fear of themselves.
We finally pull up outside the apartment block and I get Harry inside. I'm about to go back out to get his bag from the car when I spot a solitary figure walking down the street. Instinctively I wait in the shadows until I'm sure they've disappeared before setting foot out in the open again. Christ, I'm too scared to risk even being seen by anyone I don't know.
24
'Dad,' Ed says.
'What?' I grunt, annoyed that I've been interrupted. I've been reading through a pile of music magazines I found under the bed. I thought I'd thrown these out years ago. They've helped me get through the uneasy boredom of this never-ending afternoon.
'What's he doing?'
'What's who doing?' I ask, not lifting my head.
'That man from the house down the road. What's he doing?'
'What man?'
'Jesus Christ,' Lizzie screams as she walks into the room. The panic in her voice makes me drop my magazine and look up. Fucking hell, the man who lives in one of the houses adjacent to our apartment block is dragging his wife out of their house and into the middle of the street. She's a huge woman with a wide backside and flabby arms which are thrashing about wildly. The man - I think his name is Woods - is pulling her along by her feet and I can hear her screaming from here. He drags her down the kerb and her head cracks back against the road. He's carrying something else with him. I can't see what it is…
'What's he doing?' Ed asks again.
'Don't look,' Liz yells at him. She rushes across the room and tries to turn Ed around and push him towards the door. Josh is in the way. He's standing in the doorway eating a biscuit and Lizzie can't get past.
'Don't look at what?' Ellis asks. I didn't see her come in. She's behind me, standing on tiptoes and looking out of the window.
'Do what Mum says,' I say as I try to pull her away. She clings onto the windowsill and won't let go. The children have been going stir crazy trapped in the house. They're desperate for any distraction.
Outside Woods has stopped moving now. His wife is still lying on the ground and he's standing on her neck. Bloody hell, he's put his boot and his full weight on her throat. Her face is blood red and she's thrashing about more than ever but he's managing to keep her down even though he's half her size.
'Ellis, let go,' I shout as I finally manage to prise her away from the window. Ed is still watching and I can't help staring either. I can't look away. It was a bottle that Woods was carrying. He's unscrewed the lid now and he's emptying the contents all over his wife. What the hell is he doing?
'What's happening?' Harry asks. Now we're all in the living room. He's between me and the door and I have to move round him to get Ellis out. I try to close the curtains again but I can't reach from here. Harry's in the way.
'Get the children out of here,' Lizzie screams.
'Will you move, Harry?' I snap. 'I can't get through…'
I look out of the window again as Woods sets fire to his wife. Christ knows what he just doused her in but she's gone up in a huge ball of flames and the fire has caught him too. She's still moving. Bloody hell. I put my hands over Ellis' eyes but I'm slow to react and she's already seen too much. Woods trips away from the burning body, his trouser legs on fire. He staggers down Calder Grove but only makes it halfway down the
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