Hit Man

could keep an eye on the bookstore’s mirrored front windows. He had a cup of coffee, then walked across the street to the bookstore, where there were two men on duty. One was a dark and sad-eyed youth from India or Pakistan, the other the jowly, slightly exophthalmic fellow in the photo Keller had seen in White Plains.
    Keller walked past a whole wall of videocassettes and leafed through a display of magazines. He had been there for about fifteen minutes when the kid said he was going for his dinner. The older man said, “Oh, it’s that time already, huh? Okay, but make sure you’re back by seven for a change, will you?”
    Keller looked at his watch. It was six o’clock. The only other customers were closeted in video booths in the back. Still, the kid had had a look at him, and what was the big hurry, anyway?
    He grabbed a couple of magazines at random and paid for them. The jowly man bagged them and sealed the bag with a strip of tape. Keller stowed his purchase in his carry-on and went to find himself a hotel room.
    The next day he went to a museum and a movie, arriving at the bookstore at ten minutes after six. The young clerk was gone, presumably having a plate of curry somewhere. The jowly man was behind the counter, and there were three customers in the store, two checking the video selections, one looking at magazines.
    Keller browsed, hoping they would decide to clear out. At one point he was standing in front of a whole wall of videocassettes and it turned into a wall of caged puppies. It was momentary, and he couldn’t tell if it was a genuine hallucination or just some sort of mental flashback. Whatever it was, he didn’t like it.
    One customer left, but the other two lingered, and then someone new came in off the street. And in half an hour the Indian kid was due back, and who knew if he would take his full hour, anyway?
    He approached the counter, trying to look a little more nervous than he felt. Shifty eyes, furtive glances. Pitching his voice low, he said, “Talk to you in private?”
    “About what?”
    Eyes down, shoulders drawn in, he said, “Something special.”
    “If it’s got to do with little kids,” the man said, “no disrespect intended, but I don’t know nothing about it, I don’t want to know nothing about it, and I wouldn’t even know where to steer you.”
    “Nothing like that,” Keller said.
    They went into a room in back. The jowly man closed the door, and as he was turning around Keller hit him with the edge of his hand at the juncture of neck and shoulder. The man’s knees buckled, and in an instant Keller had a loop of wire around his neck. In another minute he was out the door, and within the hour he was on the northbound Metroliner.
    When he got home he realized he still had the magazines in his bag. That was sloppy, he should have discarded them the previous night, but he’d simply forgotten them altogether and never even unsealed the package.
    Nor could he find a reason to unseal it now. He carried it down the hall, dropped it unopened into the incinerator. Back in his apartment, he fixed himself a weak scotch and water and watched a documentary on the Discovery Channel. The vanishing rain forest, one more goddam thing to worry about.
    “Oedipus,” Jerrold Breen said, holding his hands in front of his chest, his fingertips pressed together. “I presume you know the story. Unwittingly, he killed his father and married his mother.”
    “Two pitfalls I’ve thus far managed to avoid.”
    “Indeed,” Breen said. “But have you? When you fly off somewhere in your official capacity as corporate expediter, when you shoot trouble, as it were, what exactly are you doing? You fire people, you cashier entire divisions, close plants, rearrange human lives. Is that a fair description?”
    “I suppose so.”
    “There’s an implied violence. Firing a man, terminating his career, is the symbolic equivalent of killing him. And he’s a stranger, and I shouldn’t doubt that the more important of these men are more often than not older than you, isn’t that so?”
    “What’s the point?”
    “When you do what you do, it’s as if you are seeking out and killing your unknown father.”
    “I don’t know,” Keller said. “Isn’t that a little far-fetched?”
    “And your relationships with women,” Breen went on, “have a strong Oedipal component. Your mother was a vague and unfocused woman, incompletely present in her own life, incapable of connection with