Hitler

leaving Hitler as a consequence extremely short notice to comply with itsdemand to be in Linz by the Tuesday. That, together with Hitler’s run-down appearance, lack of ready money, apologetic demeanour, and somewhat pathetic explanation influenced the Austrian consulate in Munich to look with some sympathy on his position. He impressed the consular officials, who thought him ‘worthy of consideration’, and the Linz magistracy now granted him permission to appear, as he had requested, on 5 February, in Salzburg instead of Linz. No fine or imprisonment was imposed; his travel expenses were paid by the consulate. And, in the event, on duly attending at Salzburg he was found to be too weak to undertake military service.
    Hitler returned to his mundane life as a small-time artist; but not for long. The storm-clouds were gathering over Europe. On Sunday, 28 June 1914, the sensational news broke of the assassination in Sarajevo of the heir to the Austrian throne, Archduke Franz Ferdinand, and his wife. Germany, like other countries in Europe, became gripped by war fever. By the beginning of August, the Continent was at war.
    II
    For Hitler, the war was a godsend. Since his failure in the Art Academy in 1907, he had vegetated, resigned to the fact that he would not become a great artist, now cherishing a pipe-dream that he would somehow become a notable architect – though with no plans for or realistic hope of fulfilling this ambition. Seven years after that failure, the ‘nobody of Vienna’, now in Munich, remained a drop-out and nonentity, futilely angry at a world which had rejected him. He was still without any career prospects, without qualifications or any expectation of gaining them, without any capacity for forging close and lasting friendships, and without real hope of coming to terms with himself – or with a society he despised for his own failure. The war offered him his way out. At the age of twenty-five, it gave him for the first time in his life a cause, a commitment, comradeship, an external discipline, a sort of regular employment, a sense of well-being, and – more than that – a sense of belonging. His regiment became home for him. When he was wounded in 1916 his first words to his superior officer were: ‘It’s not so bad, Herr Oberleutnant, eh? I can stay with you, stay with the regiment.’ Later in the war, the prospect of leaving the regiment may well have influencedhis wish not to be considered for promotion. And at the end of the war, he had good practical reasons for staying in the army as long as possible: the army had by then been his ‘career’ for four years, and he had no other job to go back to or look forward to. The war and its aftermath made Hitler. After Vienna, it was the second formative period in decisively shaping his personality.
    At the beginning of August 1914, Hitler was among the tens of thousands in Munich in the thrall of emotional delirium, passionately enthused by the prospect of war. As for so many others, his elation would later turn to deep embitterment. With Hitler, the emotional pendulum set moving by the onset of war swung more violently than for most. ‘Overpowered by stormy enthusiasm,’ he wrote, ‘I fell down on my knees and thanked Heaven from an overflowing heart for granting me the good fortune of being permitted to live at this time.’ That on this occasion his words were true cannot be doubted. Years later, noticing a photograph taken by Heinrich Hoffmann (who was to become his court photographer) of the huge patriotic demonstration in front of the Feldherrnhalle on Munich’s Odeonsplatz on 2 August 1914, the day after the German declaration of war on Russia, Hitler pointed out that he had been among the emotional crowd that day, carried away with nationalist fervour, hoarse with singing ‘Die Wacht am Rhein’ and ‘Deutschland, Deutschland über alles’. Hoffmann immediately set to work on enlargements, and discovered the face of the twenty-five-year-old Hitler in the centre of the photograph, gripped and enraptured by the war hysteria. The subsequent mass reproduction of the photograph helped contribute to the establishment of the Führer myth – and to Hoffmann’s immense profits.
    It was doubtless under the impact of the same elation swaying tens of thousands of young men in Munich and many other cities in Europe during those days to rush to join up that, according to his own account, on 3 August, immediately following the