I Should Die

arrives to rescue our bodies.”
    I ready myself for my next opponent when, from behind the line of numa, I see the worst possible thing: More fighters approaching. Another ten at least. My mouth fills with a metallic tang. I can taste our defeat. We are lost.
    These newcomers are like no numa I have seen before. Their punk hair is bleached and dyed in every possible color, and their skin is covered with tattoos. And as they stride through the arched gateway, the noise of battle is suddenly drowned in a wave of speed metal. One of them actually carries a boom box on his shoulder, which he swings down and places near the entrance of the passageway. He pauses to turn the music up to maximum volume before straightening and positioning himself with his compatriots, hands on waists, across the width of the entrance.
    The fighting stalls as everyone looks their way. And then I notice their auras. Not red. Gold. They are bardia! I realize with astonishment. They draw their weapons, and one of them steps forward.
    His long hair is black, tipped in red, and stands on end like a lion’s mane. His eyebrow and lip are pierced and his eyes are lined with kohl. He scans the fighters until he spots Charlotte, and one side of his mouth turns up in a grin. “Hey, sis,” he calls.
    Charlotte is stunned, her sword hanging by her side and her eyes wide with shock. “NO WAY!” she yells, and then with a whoop of joy she springs back into action, swinging at her enemy with such intensity that she beheads the distracted numa with one blow.
    Chaos descends. Charles’s kindred shout some kind of battle yell in German and plunge into the fight, swinging curved sabers and battle-axes.
    The numa facing Arthur and his men fight fiercely for another minute, pushing us forward into a tight band of flailing limbs and flashing weapons. But as our defensive circle widens, confusion takes over. A couple of numa run toward the passageway’s exit. They are quickly followed by more, one or two pulling wounded kindred with them, but most thinking only of their own escape.
    In five minutes it is over. The blaring music mixes with the moans of our wounded foes, who are quickly dispatched. The owner of the boom box marches over and turns the music down. He shrugs when he sees me staring. “Hey, noise pollution elicits fewer phone calls to the police than screaming and battle sounds. At least, that’s the case in Berlin,” he says.
    “Are you okay?” Vincent asks, and seeing that my worst wound is a slice on my shoulder, kisses me quickly. We gather to assess the bodies. Ten numa lie dead on the ground. A couple of others were carried out by those who escaped. Nicolas’s body is still here, his fur coat a gory mess, soaked in blood. Three of Arthur’s team are dead. And Ambrose sits propped up against a wall, his arm bleeding profusely as Charles and Charlotte attend to him.
    Someone is missing , I realize with alarm. Scanning the passage again, I yell, “Geneviève! Where’s Geneviève?” Our group scrambles around, looking for her. “She was just over here,” I say, pointing to the place I last saw her body.
    Charlotte raises her hands to her mouth in horror. “NO!” she screams, and runs to the end of the passageway with Charles close on her heels. They frantically scan the street on the other end, but it is clear that whoever took Geneviève is long gone.
    The twins stand together, dark silhouettes under a black arch, their bodies backlit by the illuminated street beyond. As Charlotte begins to cry, her brother wraps his arms around her.

FORTY-SIX
    WITHIN FIVE MINUTES, AN AMBULANCE HAS pulled up to the passageway and the bodies are loaded on. “No, man, I don’t need an ambulance,” says Ambrose, resisting Vincent’s efforts to have him ride with the dead and wounded.
    “Well, you can’t walk home like that, and you’re going to bleed all over a taxi,” Vincent says, helping him up to a standing position.
    “I’ll ride with you,” says Charlotte in a small voice.
    Ambrose looks over to where she stands with Charles’s arm around her. She smiles a sad smile at him, and he nods his head, defeated. “Yeah, okay.”
    Vincent turns to where I shelter Louis with my body as Charles’s German clan eyes him suspiciously.
    “You’re still here,” he says darkly.
    “I am,” says Louis. He lifts his chin slightly, but looks like a scared adolescent in spite of his bravado.
    “Kate, will you please tell me what went on back