In Death 07 - Holiday in Death

Too much, Eve often thought, when it came to herself.
    She wasn't sure what had caused the bond to form between them. She respected Mira's abilities -- though they sometimes made her uncomfortable.
    Mira was a small, cleanly built woman with soft sable hair waving elegantly around a cool, attractive face. She habitually wore slim suits in quiet colors. Eve supposed that Mira represented all she, Eve, thought a lady should be: self-contained, quietly elegant, well spoken.
    Dealing with mental defectives, violent tendencies, and habitual perverts never seemed to ruffle Mira's composure or her compassion. Her profiles of madmen and murderers were invaluable to the New York Police and Security Department.
    Eve hesitated at the door just long enough for Mira to sense her. The psychiatrist turned her head, and her blue eyes warmed when they met Eve's.
    "I didn't mean to interrupt. Your assistant isn't at her station."
    "She's at lunch. Come in, close the door. I was expecting you."
    Eve glanced at the sandwich. "I'm cutting into your break."
    "Cops and doctors. We take our breaks where we find them. Would you like something to eat?"
    "No, thanks." The energy bar wasn't sitting well in her stomach, which made her wonder just how long it had been since the vending machine had been serviced.
    Despite Eve's refusal, Mira rose and ordered tea from the AutoChef. It was a ritual Eve had learned to live with. She'd sip the faintly floral-tasting brew, but she didn't have to like it.
    "I've reviewed the data you were able to transmit, and the copies of your case reports. I'll have a complete and written profile for you tomorrow."
    "What can you give me today?"
    "Probably little you haven't gleaned for yourself." Mira settled back in one of the blue scoop chairs similar to those in Simon's salon.
    Eve's face, she noted, was a bit too pale, a bit too thin. Mira hadn't seen her since Eve's return to duty, and her doctor's eye diagnosed that the return had been rushed.
    But she kept that opinion to herself.
    "The person you're looking for is likely a male between the ages of thirty and fifty-five," she began. "He's controlled, calculating, and organized. He enjoys the spotlight and feels he deserves to be the focus of attention. He may have had some aspirations toward acting or a connection to the field."
    "He showed off for the camera, played to it."
    "Exactly." Mira nodded, pleased. "He employed costumes and props, and not just, in my opinion, as tools and disguises. But for the flair of it, and the irony. I wonder if he sees his cruelty as irony."
    She took a breath, shifted her legs, and sipped at her tea. If she'd believed Eve would actually drink the cup she'd given her, Mira would have added some vitamins to it. "It's possible. It's a stage, a show. He enjoys that aspect very much. The preparation, the details. He's a coward, but a careful one."
    "They're all cowards," Eve stated and had Mira tilting her head.
    "Yes, you would see it that way, because to you the taking of a life is only justifiable in defense of another. For you murder is the ultimate cowardice. But in this case, I would say he recognizes his own fears. He drugs his victims quickly -- not to save them pain but to prevent them from fighting, and perhaps overcoming him physically. He needs to set the stage. He puts them in bed, restrains them before cutting off their clothes. He doesn't strip them in a rage, and he makes certain they're bound before he goes to the next step. Now they're helpless, now they're his."
    "Then he rapes them."
    "Yes, when they're bound. Naked and helpless. If they were free they would reject him. He knows this. He's been rejected. But now he can do as he wishes. He needs them awake and aware for this so that they can see him, so they know he has the power, so they struggle but can't escape."
    The words, the images, had Eve's already uneasy stomach pitching. Memories danced too close to the surface. "Rape's always about power."
    "Yes." Because she understood Mira wanted to reach out and take Eve's hand. And because she understood, she didn't. "He strangles them because it's personal, an extension of the sexual act. Hands to the throat. It's intimate."
    Mira smiled a little. "How much of this had you already concluded?"
    "Doesn't matter. You're confirming my take on him."
    "All right then. The garland is trimming. Props again, show, irony. They're gifts from himself to himself. The Christmas theme may have some personal meaning to him, or