In Death 13 - Seduction in Death

fishing in the cyber-pool for a date or sex or anything."
    "You're not making that sound complimentary."
    "But what I'm saying is, people generally have expectations, or fantasy types. Date number one. Savvy, sophisticated, urban female with a romantic bent. Slick dresser, sharp looker. Snappy apartment, sexually active when she can get it. Outgoing, friendly. She likes fashion, poetry, and music. Spends her money on clothes, good restaurants, salons. May or may not be looking for Mr. Right, but would really enjoy a Mr. Right Now."
    "And," Roarke put in, "is adventurous enough to audition a candidate over drinks."
    "Exactly. Date number two, solid middle-class suburban background. Shy, quiet, intellectual. Hoards what money she has to buy books, pay the rent on an efficiency apartment. Rarely eats out, and spends fifteen or twenty minutes every morning with a female neighbor old enough to be her grandmother. She has no other close friends in the city. She's very young and still a virgin. She's looking for a soul mate. The one man she's saved herself for."
    "And is naive enough to believe she's found him without ever having met him."
    "One is introverted, the other extroverted. Physically they are nothing alike. In the first case, the murder appeared to have been unplanned, and the killer panicked. There were no signs of violence on the body that were inflicted pre-mortem. Sexual activity was vaginal only."
    She picked up a disc from her file, slid it into her computer. "In the second case, the murder appeared to have been premeditated, and the killer was deliberate in the execution. There were signs of violence, bruises, small bites. The victim was repeatedly and roughly raped, and sodomized. It could be theorized that he became... encouraged, aroused, intrigued by the first murder and decided to have the experience again, purposefully, more aggressively this time as the act excited him."
    With a nod, Roarke walked over to stand with her. "It could be."
    "Image on wall screen," Eve ordered. "I've done a split screen with the security cam feed from the entrance of each victim's building. That's Bankhead on the right. We know the killer is wearing a wig, face putty, and makeup. With this look he goes by the name Dante. On the left is Lutz, and there he goes by Dorian. The face jobs are good. Body type, height, more or less the same. Each can be altered easily enough -- lifts, padding in the shoulders."
    She'd already studied the images, over and over. She knew what she was seeing now.
    "Note how Dante holds her hand, kisses her fingers, holds the door open for her. The perfect dream date. Dorian's got his arm around her waist. She's looking up at him, starry-eyed as they approach the door. He's not looking at her, no eye contact. It doesn't matter to him who she is. She's already dead."
    She switched images. "Here, Dante's coming out. You can see the panic, the sweat. Christ, he's thinking, how did this happen? How will I get out of it? But you see here, the exit from Grace's place. The way he strolls out, almost a swagger, the way he looks back and smirks. He's thinking: That was fun. When can I do it again?"
    "The first theory would hold," Roarke commented. "He's building confidence and need and pleasure. A second would be he has different personalities for different looks, for different women. But you've a third theory." Roarke looked away from the screen, looked at Eve. "You think you're after two men."
    "Maybe it's too simple. Maybe it's what he wants me to think." She sat, stared at the split screen again. "I can't get inside him. I ran a probability on two killers. It came in just over forty-three percent."
    "Computers don't have instincts." He came over to sit on the edge of the desk. "What do you see?"
    "Different body language, different styles, different types. But it could be role-playing. Maybe he's an actor. Drinks at an expensive, romantic location, then the return to the victim's apartment. He doesn't dirty his own nest. Candles, wine, music, roses. So he uses the same staging. I haven't got the results back on DNA, but the sweepers didn't find any fingerprints but the victim's and her neighbor's in Grace Lutz's apartment. Not on the wine bottle or the glasses, and not on her body. He sealed this time. Why is that, when he knew we'd have prints from the first murder?"
    "If there are two -- in reality or by personality split -- they know each other intimately. Brothers of a sort," Roarke said when Eve