Kate Daniels 06 - Gunmetal Magic
basement,” Stefan confirmed. “There are fire-suppression and heating systems down there, generators, access to both freight and regular elevator shafts—that’s a lot of metal right there. And you never know, sometimes you can get computer servers out. Stranger things have survived a fallen building. Here we are.”
Ahead the passageway widened. Stefan flicked the switch and the twin lamps in the ceiling flared into life. We stood in a round chamber, about twenty-five feet wide. Four bodies lay on the dirt floor, two men and two women. At the far wall, a six-foot-tall disk of metal thrust out, revealing a round tunnel filled with darkness—a vault door left ajar.
“A vault?”
Stefan grimaced. “It wasn’t on any of the blueprints and none of the building-related correspondence we had access to mentioned it. We were merrily digging our way up and ran into it last night. We screwed around with the door for about an hour, but we didn’t have the right tools for it, so Raphael posted two guards here and two by the entrance, and we cleared out. A locksmith was supposed to come in this morning and open the sucker. Instead we found this.”
Four people dead, sprawled in the dirt. Last night they had hugged their loved ones before going on their shift. They had made plans. This morning they were my responsibility. Life was a vicious bitch.
“Okay, let me see the log.”
“The what?”
“The crime scene log? The record of who’s been down here and at what time?”
Stefan gave me a blank look.
“Eh…”
God damn it.
I took a small notebook and a pen out of my vest pocket and kept my voice friendly. “I tell you what, we’ll start one. Here, I’ll be the first.”
I marked the date at the top of the page and wrote: “Andrea Nash. Time In: 8:12 a.m. Time out: ___________. Purpose: Investigation.” I signed it and passed the notebook and the pen to him.
“Now you write yourself in. When people come to pick up the bodies, you make them write themselves in, too. We need to keep a record of who comes and goes down here.”
I set my crime scene bag on the side, opened it, took out gloves and put them on. Next came the Polaroid Instant Digital camera and a stack of paper envelopes for crime scene photos and evidence. Other cameras took better pictures, but magic played havoc with digital data. Sometimes you’d get crystal-clear high-definition images, and sometimes you’d end up with a blurred gray mess or nothing at all. Polaroid Instant Digital cameras produced photos faster than anything else on the market and stored the image digitally as a bonus. It was as close to an instant record of evidence as we could get.
“Have the bodies been moved at all?”
Stefan shrugged his shoulders. “Sylvia found them, she checked their pulses, examined the vault to see that nobody was there, and backed right out of the dig. We know the drill.”
If they knew the drill, they would’ve kept a log. “Where is Sylvia now?”
“With Raphael, being hassled by the cops.”
In legal terms, the Pack had similar rights to a Native American tribe, with the ability to govern itself and enforce its own laws. If a shapeshifter died in the Pack’s territory, it was a Pack matter. These shapeshifters had died within city limits, and the PAD wanted in on the action. They weren’t exactly shapeshifter fans, with a good reason.
We lived in the gray zone between beast and human. Those of us who wanted to remain human lived by the Code, a set ofstrict rules. The Code was all about discipline and moderation and obeying the chain of command. Sometimes the human brakes failed, and a shapeshifter threw the Code out the window and went loup. Loups were sadistic, murderous freaks. They reveled in killing, cannibalism, and every other violent perversity their insane brains could think up. The Pack put them down with extreme prejudice, but that didn’t keep the PAD from viewing every shapeshifter as a potential spree killer. Whenever a shapeshifter murder occurred in the city, they tried to muscle in on it.
Not that they would accomplish anything. The Pack’s lawyers were ravenous beasts.
I crouched by the nearest body and aimed the camera. The flash flared, searing the scene with white light for a fraction of a moment. The camera purred, printing out the image. I pulled it out and waved it a bit to dry, before sliding it into a paper envelope.
The dead man appeared to be in his late fifties. Shapeshifters aged well,
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