M Is for Malice

Kingman and Ives by the unmarked side door. I unlocked my office and let myself in, glancing down at the floor. On the carpet, there was a plain white business-size envelope with my name and address typed across the front. The postmark was Santa Teresa, dated Monday P.M. Distracted, I set my bag on the desk, took out Bader's file, and set it on top of the file cabinet. I went back to the letter and picked it up with care. I centered it on my desk, touching only the corners while I lifted the handset and dialed Alison in reception.
    "Hi, Alison. This is Kinsey. You know anything about this letter that was slipped under my door?"
    "It was delivered yesterday afternoon. I held on to it up here, thinking you'd be back, and finally decided it was better to go ahead and stick it under your door. Why, did I do something wrong?"
    "You did fine. I was just curious."
    I put the phone down and stared at the envelope. I'd picked up a fingerprint kit at a trade show recently and for a moment I debated about dusting for latents. Seemed pointless to tell the truth. Alison had clearly handled it and even if I brought up a set of prints, what was I to do with them? I couldn't picture the cops running them on the basis of my say-so. Still, I decided to be cautious. I took out a letter opener and slit the flap of the envelope, using the tip to slide the note onto my desk. The paper was cheap bond, folded twice, with no date and no signature. I used a pencil eraser to open the paper, anchoring opposite corners with the letter opener and the edge of my appointment book.
    Dear Miss Milhone,
    I thought I should take a moment to inlighten you on the subject of Guy Malek. I wonder if you rilly know who your dealing with. He is a liar and a theif. I find it sickning that he could get a second chance in life threw the acquisition of Sudden Riches, Why should he get the benefitt of five million dollars when he never urned one red cent? I don't think we can count on him making amens for his passed crimes. You better be carefull your not tared with the same brush.
    I found a transparent plastic sleeve and slid the letter inside, then opened my desk drawer and took out the copy of the letter Max Outhwaite had written to Jeffrey Katzenbach, placing the two side by side for comparison. On superficial examination, the type font looked the same. As before, my name was misspelled. Thanks, it's two l's, please. The sender seemed to have a problem distinguishing your from you're and consistently reversed the two. The use of threw for through was the same, but there were other oddities of note. My letter was less than half the length of the one to Katzenbach, yet it had more spelling mistakes. To my untutored eye, the two sets of errors were curiously inconsistent. If the writer were relying strictly on phonetics, why would words like acquisition, aforementioned, and besieges be spelled right? Certainly in my letter, there were far fewer commas, exclamation points, and Capitalizations! It was possible there was a certain level of carelessness at work, but I also had to wonder if the writer weren't simply pretending to use language badly. There was something vaguely amusing about the use of the word amens instead of amends, especially in the context of a born-again.
    From another angle, why affix the name Max Outhwaite to the first letter, tacking on the embellishment of a phony address, and leave mine unsigned? I had to guess that Outhwaite imagined (quite correctly, as it turned out) that an unsigned letter to the Dispatch would get thrown in the trash. It was also likely the sender had no idea I'd end up with both. While I understood the reasoning behind the letter to the Dispatch, why this one to me? What was Outhwaite's intent?
    I took out my magnifying glass and cranked up my three-way bulb to maximum illumination. Under magnification, other similarities became apparent. In both documents, the letter a was twisted on its axis, leaning slightly to the left, and on the lowercase i a portion of the serif was broken off along the bottom. Additionally, the lowercase e, o, a, and d were dirty and tended to print as filled dots instead of circles, suggestive of an old-fashioned fabric ribbon. On my portable Smith Corona, I'd been known to use a straight pin to clean the clogged typewriter keys.
    I left the letters on my desk and took a walk around the room. Then I sat down in my swivel chair, opened my pencil drawer, and pulled out a pack of index cards. It