One Zentangle a Day
ornaments with paint and created tangles on them using an Identi-Pen.
A double-sided framed piece by Judy Lehman.
APPENDIX
MAKING AN ATC AND ZENTANGLE TILE CARRIER
For an ATC, use a piece of paper that is 8 × 12 inches (20.3 × 30.5 cm). For a Zentangle tile holder, start with a piece of paper that is 9 × 15 inches (23 × 38 cm). Fold on the red lines.
Made from Lokta paper, this carrier has six pockets. The outer edge is a pocket, with two on the outside, and two inside.
ACKNOWLEDGMENTS
John, my husband, is loving, encouraging, calm, and always sees the humor in life. Though the years his support and encouragement have made me feel like I can do anything.
Joe, who I call upon when I screw up on the computer (ever since he was twelve). A great deal of what I have written would not have gotten out without his help. Maria, Rick, and the entire Zentangle staff for their insight, dedication, and support. They are truly inspiring.
My executive editor Mary Ann Hall’s insight, direction, wisdom, and grace were incredible throughout the process of completing this book. A steadfast beacon, her direction and guidance were priceless. Betsy Gammons, my project manager, saw that my text and graphics came together in beautiful harmony. Her sense of humor came out more than once at just the right time. The entire staff at Quarry who contributed in creating this book brought their dedication, insight, and talent. All have been a delight and a joy to work with.
The contributing artists whose hard work truly enhanced this book. The knowledge, techniques, and artwork they shared are amazing.
Every author needs to know that others really can accomplish the projects in their book. My two testers, Sr. Sandy Atha and Pam Armas, were incredible.
Sarah Hodson and Kathy Martin: artists, designers, makers, peers, and friends, who more than once cheered me on during long hours in the studio. They always awaken my creativity, intelligence, curiosity, and humor and challenge me to raise the bar.
Carol Duval was an inspiration to me. As I watched her on the morning show in my teen years, I never imagined she would play such a huge part in my career. It is an honor to know and have worked with her. I can never thank you enough, Carol.
Teesha and Tracy Moore, and the whole staff at Artfest, for years created an environment that allowed for sharing and creating art. Whether teaching or attending these retreats, my artistic soul was fed.
Glenny Moore, promoter of Art and Soul Retreats, and the staff who continue to work hard to provide a platform for mixed-media art. One of the first to recognize Zentangle and search out CZT’s to teach, Art and Soul has been a delight to both teach and attend.
To everyone who showed up to stuff kits, clip art, class instructions, and get me out the door all the years I toured. Sandy, Cindy, Gabby, and Amalie were often there to help turn me around and get me back on the road.
DEDICATION
This book is dedicated to my family, who supported my love for art and the desire to create it from an early age, and in the latter years my sister would show up to stuff kits, pack trunks, test instructions, or help with whatever need.
My lifelong best friend, Larry, who has always been my lighthouse. He cheers me on or helps me focus, and he never lets me take myself too seriously.
My husband, John, who has always believed in me and my work. Always ready to jump in and help, he lovingly pushes me through long studio hours and keeps me laughing through life.
And to all the teachers who have taught me, and to friends and students who have created with me, opening my eyes to see our art from new angles and enriching my art journey.
© 2012 by Quarry Books
First published in the United States of America in 2012 by
Quarry Books, a member of
Quayside Publishing Group
100 Cummings Center
Suite 406-L
Beverly, Massachusetts 01915-6101
Telephone: (978) 282-9590
Fax: (978) 283-2742
www.quarrybooks.com
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All rights reserved. No part of this book may be reproduced in any form without written permission of the copyright owners. All images in this book have been reproduced with the knowledge and prior consent of the artists concerned, and no responsibility is accepted by the producer, publisher, or printer for any infringement of copyright or otherwise, arising from the contents of this publication. Every effort has been made to
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