Professor Borges - A Course on English Literature
you to become familiar with the work. In any case, I recommend that you read that or another edition. Or, if you want to read it in English, the original is very easy to read, and does not need to be read in order, chronologically. It is a book you can open to any page with confidence that from there you can continue to read for thirty or forty pages, and everything is very easy to follow.
Now, in the same way that we have seen how Johnson is similar to Don Quixote, we have to think that just as Sancho is the companion Quixote sometimes treats badly, we see Boswell in that same relation to Dr. Johnson: a sometimes stupid and loyal companion. There are characters whose role is to bring out the hero’s personality. In other words, often authors need a character who serves as a framework for and a contrast to the deeds of his hero. This is Sancho, and that character in Boswell’s work is Boswell himself. That is, Boswell appears as a despicable character. But it seems impossible to me that Boswell didn’t realize this. And this shows that Boswell positioned himself in contrast to Johnson. The fact that Boswell himself tells anecdotes in which he appears ridiculous makes him not seem ridiculous at all, for if he wrote them down, he did it because he saw that the purpose of the anecdote was to make Johnson stand out.
There is a Hindu school of philosophy that says that we are not the actors in our lives, but rather the spectators, and this is illustrated using the metaphor of a dancer. These days, maybe it would be better to say an actor. A spectator sees a dancer or an actor, or, if you prefer, reads a novel, and ends up identifying with one of the characters who is there in front of him. This is what those Hindu thinkers before the fifth century said. And the same thing happens with us. I, for example, was born the same day as Jorge Luis Borges, exactly the same day. I have seen him be ridiculous in some situations, pathetic in others. And, as I have always had him in front of me, I have ended up identifying with him. According to this theory, in other words, the
I
would be double: there is a profound
I
, and this
I
is identified with—though separate from—the other. Now, I don’t know what experiences you might have had, but sometimes this happens to me: usually at two particular kinds of moments—at moments when something very good has happened, and, above all, at moments when something very bad has happened to me. And for a few seconds, I have felt: “But, what do I care about all this? It is as if all of this is happening to somebody else.” That is, I have felt that there is something deep down inside me that remains separate. And this, surely, is what Shakespeare also felt, because in one of his comedies there is a soldier, a cowardly soldier, the
Miles Gloriosus
of the Latin comedy. The man is a show-off, he makes people believe that he has acted bravely, and they promote him and he becomes a captain. Then they discover his trick, and in front of the entire troop they pull off his medals; they humiliate him. And then he is left alone and says: “Captain I’ll be no more; / But I will eat and drink, and sleep as soft / As captain shall: simply the thing I am / Shall make me live.” “
No seré capitán
.” He says simply, “the thing I am shall make me live.” 15 That is, he feels that above and beyond the circumstances, beyond his cowardice, his humiliation, he is something else, a kind of strength we all have within us, what Spinoza called “God,” whatSchopenhauer called “will,” what Bernard Shaw called “life force,” andBergson called “vital impulse.” 16 I think this is also what was going on with Boswell.
Perhaps Boswell simply felt it as an aesthetic necessity that to better showcase Johnson, there should be a very different character alongside him. Something like in the novels of ConanDoyle: the mediocre Dr. Watson makes the brilliant Sherlock Holmes stand out even more. And Boswell gives himself the role of the ridiculous one, and he maintains it throughout the entire book. Yet, we feel a sincere friendship between the two in the same way we feel it when we read Conan Doyle’s novels. It is natural, as I have said, that this would be so; for Johnson was a famous man and alone, and of course he liked to feel by his side the friendship of a much younger man, who so obviously admired him.
There is another problem that comes up here, I don’t remember if I have already
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