Red Bones (Shetland Quartet 3)
It was all this healthy living, he thought. It was no good for a man. It was making a mess of his body clock. In the kitchen he made coffee and drank it outside. Through the open door he heard the sound of the cistern refilling upstairs. He didn’t want to talk to either of his parents, so he set his mug on the doorstep and walked away from the house.
Without thinking he found himself on the way to Setter. His head was full of the missing Hattie. He thought Perez was right and she’d just run away. There were times when Whalsay got to him like that. He just wanted to turn his back on the place and never come home. And Hattie was such a frail and nervy young woman. Pretty, with those big black eyes, and he could see that some men would find her attractive. Men who wanted a woman they could look after and protect. But Sandy thought life with Hattie would be kind of complicated and he liked to keep things simple.
When he got to his grandmother’s croft, he let the hens out before going into the house to have a piss and make another cup of coffee. There were signs that someone had been in the kitchen: a half-full bottle of Grouse and an unwashed glass, an ashtray full of cigarette butts. That would be his father. Sandy knew Joseph came to Setter to escape Evelyn and to remember Mima in peace. The kitchen had a squalid feel to it that made Sandy feel miserable. He hated to think of his father sitting alone here, smoking, drinking and grieving.
Outside the sun was still low. It glittered on the sea, a silver line at the horizon mirrored again on the loch at the end of the field. A twisted, woody lilac bush, bent by the wind, was coming into bloom close to the house. Over the water, a scattering of gulls was making a terrible racket and in the clear morning light they looked very white against the sky. He remembered Anna’s words: ‘You’re lucky to have been born here.’ He supposed on a day like this the place was kind of perfect.
He walked across the field towards the dig, his coffee mug still in his hand, and paused as he always would now at the spot where he’d found Mima’s body. Would it be such a terrible thing to give up his work in Lerwick and take over Setter? He was good with beasts and it would make his father awful happy. If he sold his flat he could bring some cash and some energy into the place, make a real go of it. But even as the thought came into his head, he knew it was impossible. He’d end up hating his family and the island. It was better to stay as he was and just come every now and again to visit.
By now he’d reached the practice trench where his mother had found the skull. He peered inside. What was he expecting? More bones, growing out of the ground, an elbow maybe, bent like a huge potato tuber? Or a row of toes? Of course there was nothing, except the earth scraped flat by his mother’s trowel.
He sauntered on to the deeper trench where the medieval house had stood, where the silver coins had lain hidden for hundreds of years. He knew he was putting off his return to Utra. He couldn’t face the stoic good cheer of his father or his mother’s restless energy. He had a hazy recollection of television documentaries. What if he found a whole heap of coins, gold and silver, jewellery maybe? He had a picture of a pile of rubies and emeralds glinting in the morning sunshine. Wo uldn’t that be considered treasure trove? Wouldn’t it make enough money so his parents could take a holiday, so they wouldn’t have to work quite so hard to keep up with the Cloustons and the other fishing families? He checked himself: he was making up fairy tales in his head again. As a child he’d been told stories of the trows who hoarded shiny, glittering objects, but it would never happen in real life.
But as he approached the rectangular hole in the ground, for a moment it seemed as if the childish fantasy was being played out in real life. The sunlight was reflected from an object within it, a dull gleam that might be buried treasure.
He looked down, excited although he knew how foolish he was being, and saw Hattie James lying at the base of the trench. She was on her back and she stared up at him. Her face was marble white in the shadow. She was dressed in black and the image had the washed-out look of a photographic negative. Even the blood looked black – and there was a lot of blood. It had spurted into wave-shaped patterns on the bank of the trench and seeped into the soil. It was on
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