Stranger in a Strange Land
but via the S.S. patrol car capping the house-and the next ad for the same item to arrive in the house boasted: "-exactly as supplied to the Man from Mars, by special appointment," which pleased Mike and annoyed Jill.
Other presents were just as difficult, but picking a present for Jubal was supremely difficult. Jill was stumped. What does one buy for a man who has everything-everything~ that is to say, that be wants which money can buy? The Sphinx? Three Wishes? The fountain that Ponce de Leon failed to find? Oil for his ancient bones, or one golden day of youth? Jubal had long ago even foresworn pets, because he outlived them, or (worse yet) it was now possible that a pet would outlive him, be orphaned.
Privately they consulted the others. "Shucks," Duke told them, "didn't you know? The boss likes statues."
"Really?" Jill answered. "I don't see any sculpture around."
"That's because most of the stuff he likes isn't for sale. He says that the crud they're making nowdays looks like disaster in a junk yard and any idiot with a blow torch and astigmatism can set himself up as a sculptor."
Anne nodded thoughtfully. "I think Duke is right. You can tell what Jubal's tastes in sculpture are by looking at the books in his study. But I doubt if it will help much."
Nevertheless they looked, Anne and Jill and Mike, and Anne picked out three books as bearing evidence (to her eyes) of having been looked at most often. "Hmm .." she said. "It's clear that the Boss would like anything by Rodin. Mike, if you could buy one of these for Jubal, which one would you pick? Oh, here's a pretty one-'Eternal Springtime.'"
Mike barely glanced at it and turned the page. "This one."
"What?" Jill looked at it and shuddered. "Mike, that one is perfectly dreadful! I hope I die long before I look like that."
"That is beauty," Mike said firmly.
"Mike!" Jill protested. "You've got a depraved taste-you're worse than Duke. Or else you just don't know any better."
Ordinarily such a rebuke from a water brother, most especially from Jill, would have shut Mike up, forced him to spend the following night in trying to understand his fault. But this was art in which he was sure of himself. The portrayed statue was the first thing he had seen on Earth which felt like a breath of home to him. Although it was clearly a picture of a human woman it gave him a feeling that a Martian Old One should be somewhere around, responsible for its creation. "It is beauty," he insisted stubbornly. "She has her own face. I grok."
"Jill," Anne said slowly, "Mike is right."
"Huh? Anne! Surely you don't like that?"
"It frightens me. But Mike knows what Jubal likes. Look at the book itself. It falls open naturally to any one of three places. Now look at the pages-this page has been handled more than the other two. Mike has picked the Boss's favorite. This other one-'The Caryatid Who has Fallen under the Weight of Her Stone'-he likes almost as well. But Mike's choice is Jubal's pet."
"I buy it," Mike said decisively.
But it was not for sale. Anne telephoned the Rodin Museum in Paris on Mike's behalf and only Gallic gallantry and her beauty kept them from laughing in her face. Sell one of the Master's works? My dear lady, they are not only not for sale but they may not be reproduced. Non, non, non! Quelle idét!
But for the Man from Mars some things are possible which are not possible for others. Anne called Bradley; a couple of days later he called her back. As a compliment from the French government-no fee, but a strongly couched request that the present never be publicly exhibited- Mike would receive, not the original, but a full-size, microscopically-exact replica, a bronze photopantogram of "She Who Used to Be the Beautiful Heaulmiêre."
Jill helped Mike select presents for the girls, here she knew her ground. But when he asked her what he should buy for her; she not only did not help but insisted that he must not buy her anything.
Mike was beginning to realize that, while a water brother always spoke rightly, sometimes they spoke
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