Sunset Park
second honeymoon, and he is hard-pressed to recall a time when he ever felt happier. His answer comes and goes in just a few seconds, and then they move on to other things, other digressions, other chatter about any number of relevant and irrelevant subjects, but Willa is on his mind now, he can’t shake free of her, and watching Korngold and his ex-wife across the table, the comfort and amiability of their interactions, the furtive, unspoken complicity that exists between them, he understands how lonely he is, how lonely he has become, and now that the dinner is nearing its conclusion, he dreads returning to the empty apartment on Downing Street. Mary-Lee has drunk enough wine to be in one of those expansive,bountiful moods of hers, and when the three of them go outside to part company, she opens her arms and says to him, Give us a hug, Morris. A nice long squeeze for the fat old woman. He embraces the bulky winter overcoat hard enough to feel the flesh inside it, the body of the mother of his son, and as he does so, she holds on to him just as tightly, and then, with her left hand, she begins patting the back of his head, as if to tell him not to worry anymore, the dark time will soon be over, and all will be forgiven.
He walks back to Downing Street in the cold, his red scarf wrapped around his neck, hands thrust deep into the pockets of his coat, and the wind shooting off the Hudson is especially strong tonight as he heads up Varick toward the West Village, but he doesn’t stop to flag down a taxi, he wants to walk this evening, the rhythm of his steps calms him in the way that music sometimes calms him, in the way children can be calmed when their parents rock them to sleep. It is ten o’clock, not late, several hours to go before he will be ready for sleep himself, and as he unlocks the door of the apartment, he imagines he will settle into the comfortable chair in the living room and spend the last hours of the day reading a book, but which book, he asks himself, which book from all the thousands crammed onto the shelves of the two floors of the duplex, perhaps the Beckett play if he can find it, he thinks, the one Mary-Lee is doing now, the one they talked about tonight, or if not that play perhaps another play by Shakespeare, the little project he has taken on in Willa’s absence, rereading all ofShakespeare, the words that have filled the hours between work and sleep these past months, and he is up to The Tempest now, he believes, or perhaps The Winter’s Tale, and if reading is too much for him tonight, if his thoughts are too jumbled with Miles and Mary-Lee and Willa for him to concentrate on the words, he will watch a film on television, the one sedative that can always be counted on, the tranquilizing flicker of images, voices, music, the pull of the stories, always the stories, the thousands of stories, the millions of stories, and yet one never tires of them, there is always room in the brain for another story, another book, another film, and after pouring himself a scotch in the kitchen, he walks into the living room thinking film, he will opt for a film if anything watchable is playing tonight.
Before he can sit down in the comfortable chair and switch on the TV, however, the telephone starts ringing in the kitchen, and so he turns around and walks back into the kitchen to answer it, puzzled by the lateness of the call, wondering who could possibly want to talk to him at ten-thirty on a Saturday night. His first thought is Miles, Miles following up his call to his mother with a call to his father, but no, that couldn’t be it, Miles won’t be calling him until Monday at the earliest, unless he supposes, perhaps, that his father has already returned from England and is spending the weekend at home, or, if not that, perhaps he simply wants to leave a message on the machine, in the same way he left a message on his mother’s machine this afternoon.
It is Willa, calling from Exeter at three-thirty in the morning, Willa sobbing and in distress, saying that she is cracking apart, that her world is in ruins, that she no longer wants to be alive. Her tears are relentless, and the voice talking through those tears is barely audible, high-pitched, the voice of a child, and it is a true collapse, he tells himself, a person beyond anger, beyond hope, a person entirely spent, miserable, miserable, pulverized by the weight of the world, a sadness as heavy as the weight of the world. He doesn’t know
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