The Apprentice: A Rizzoli & Isles Novel

those seeking refuge in the coolness of woods and grass was one who came with an entirely different purpose in mind. A predator seeking a place to discard his prey. She saw it through his eyes: the dense trees, the carpet of dead leaves. A world where insects and forest animals would happily collaborate in the act of disposal.
    She set down her fork, and its clatter against the table was startlingly loud.
    From the bookshelf she picked up the packet of color-coded pushpins. She pressed a red one on the street where Gail Yeager had lived in Newton and pressed another red one in Stony Brook Reservation where Gail’s body was found. She added a second pin in Stony Brook—this one blue—to represent the remains of the unknown woman. Then she sat down and considered the geography of the unsub’s world.
    During the Surgeon killings, she had learned to study a city map the way a predator studies his hunting grounds. She was, after all, a hunter as well, and to catch her prey she had to understand the universe in which he lived, the streets he walked, the neighborhoods he roamed. She knew that human predators most often hunted in areas that were familiar to them. Like everyone else, they had their comfort zones, their daily routines. So when she looked at the pins on the map, she knew that she was seeing more than just the location of crime scenes and body dumps; she was seeing his sphere of activity.
    The town of Newton was upscale and expensive, a suburb of professionals. Stony Brook Reservation was three miles southeast, in a neighborhood not nearly as tony as Newton. Was the unsub a resident of one of these neighborhoods, stalking prey that crossed his path as he moved between home and work? He would have to be someone who fit in, someone who did not rouse suspicion as an outsider. If he lived in Newton, he’d have to be a white-collar man with white-collar tastes.
    And white-collar victims.
    The grid of Boston streets blurred before her tired eyes, yet she did not give up and go to bed; she sat in a daze beyond exhaustion, a hundred details swimming in her head. She thought of fresh sperm in a decomposing corpse. She thought of skeletal remains with no name. Navy-blue carpet fibers. A killer who sheds the hair of his past victims. A stun gun, a hunter’s knife, and folded nightclothes.
    And Gabriel Dean. What was the FBI’s role in all this?
    She dropped her head in her hands, feeling as though it would explode with so much information. She had wanted to be lead detective, had even demanded it, and now the weight of this investigation was crushing her. She was too tired to think and too wound up to sleep. She wondered if this was what a breakdown felt like and ruthlessly suppressed the thought. Jane Rizzoli would never allow herself to be so spineless as to suffer a nervous breakdown. In the course of her career she had chased a perp across a rooftop, had kicked down doors, had confronted her own death in a dark cellar.
    She had killed a man.
    But until this moment, she had never felt so close to crumbling.

    The prison nurse is not gentle as she ties the tourniquet around my right arm, snapping the latex like a rubber band. It pinches my skin and tears at my hairs, but she does not care; to her, I am just another malingerer who has roused her from her cot and interrupted her normally uneventful shift in the prison clinic. She is middle-aged, or at least she looks it, with puffy eyes and overplucked brows, and her breath smells like sleep and cigarettes. But she is a woman, and I stare at her neck, loose and wattled, as she bends over my arm to locate a good vein. I think of what lies beneath her crepey white skin. The carotid artery, pulsing with bright blood, and beside it, the jugular vein, swollen with its darker river of venous blood. I am intimately familiar with the anatomy of a woman’s neck, and I study hers, unattractive as it is.
    My antecubital vein has plumped up, and she grunts in satisfaction. She opens an alcohol swab and wipes it across my skin. It is a careless and slovenly gesture, not what one expects from a medical professional, done out of habit and nothing more.
    “You’ll feel a poke,” she announces.
    I register the prick of the needle without flinching. She has hit the vein cleanly, and blood streams into the red-topped Vacutainer tube. I have worked with the blood of countless others, but never my own, so I stare at it with interest, noting that it is rich and dark, the color of