The Black Echo

right, he thought. But he didn’t want to fold this one away yet. Too many things didn’t fit. The missing tracks in the pipe. The shirt pulled over the head. The broken finger. No knife.
    “How come all the tracks are old except the one?” he asked, more of himself than Sakai.
    “Who knows?” Sakai answered anyway. “Maybe he’d been off it awhile and decided to jump back in. A hype’s a hype. There aren’t any reasons.”
    Staring at the tracks on the dead man’s arms, Bosch noticed blue ink on the skin just below the sleeve that was bunched up on the left bicep. He couldn’t see enough to make out what it said.
    “Pull that up,” he said and pointed.
    Sakai worked the sleeve up to the shoulder, revealing a tattoo of blue and red ink. It was a cartoonish rat standing on hind legs with a rabid, toothy and vulgar grin. In one hand the rat held a pistol, in the other a booze bottle marked XXX. The blue writing above and below the cartoon was smeared by age and the spread of skin. Sakai tried to read it.
    “Says ‘Force’-no, ‘First.’ Says ‘First Infantry.’ This guy was army. The bottom part doesn’t make-it’s another language. ‘Non… Gratum… Anum… Ro-’ I can’t make that out.”
    “Rodentum,” Bosch said.
    Sakai looked at him.
    “Dog Latin,” Bosch told him. “Not worth a rat’s ass. He was a tunnel rat. Vietnam.”
    “Whatever,” Sakai said. He took an appraising look at the body and the pipe. He said, “Well, he ended up in a tunnel, didn’t he? Sort of.”
    Bosch reached his bare hand to the dead man’s face and pushed the straggly black and gray hairs off the forehead and away from the vacant eyes. His doing this without gloves made the others stop what they were doing and watch this unusual, if not unsanitary, behavior. Bosch paid no notice. He stared at the face for a long moment, not saying anything, not hearing if anything was said. In the moment that he realized that he knew the face, just as he knew the tattoo, the vision of a young man flashed in his mind. Rawboned and tan, hair buzzed short. Alive, not dead. He stood up and turned quickly away from the body.
    Making such a quick, unexpected motion, he banged straight into Jerry Edgar, who had finally arrived and walked up to huddle over the body. They both took a step back, momentarily stunned. Bosch put a hand to his forehead. Edgar, who was much taller, did the same to his chin.
    “Shit, Harry,” Edgar said. “You all right?”
    “Yeah. You?”
    Edgar checked his hand for blood.
    “Yeah. Sorry about that. What are you jumping up like that for?”
    “I don’t know.”
    Edgar looked over Harry’s shoulder at the body and then followed his partner away from the pack.

    ***

    “Sorry, Harry,” Edgar said. “I sat there waiting an hour till somebody came out to cover me on my appointments. So tell me, what have we got?”
    Edgar was still rubbing his jaw as he spoke.
    “Not sure yet,” Bosch said. “I want you to get in one of these patrol cars that has an MCT in it. One that works. See if you can get a sheet on a Meadows, Billy, er, make that William. DOB would be about 1950. We need to get an address from DMV.”
    “That’s the stiff?”
    Bosch nodded.
    “Nothing, no address with his ID?”
    “There is no ID. I made him. So check it out on the box. There should be some contact in the last few years. Hype stuff, at least, out of Van Nuys Division.”
    Edgar sauntered off toward the line of parked black-and-whites to find one with a mobile computer terminal mounted on the dashboard. Because he was a big man, his gait seemed slow, but Bosch knew from experience that Edgar was a hard man to keep pace with. Edgar was impeccably tailored in a brown suit with a thin chalk line. His hair was close cropped and his skin was almost as smooth and as black as an eggplant’s. Bosch watched Edgar walk away and couldn’t help but wonder if he had timed his arrival to be just late enough to avoid having to wrinkle his ensemble by stepping into a jumpsuit and crawling into the pipe.
    Bosch went to the trunk of his car and got out the Polaroid camera. He then went back to the body, straddled it and stooped to take photographs of the face. Three would be enough, he decided, and he placed each card that was ejected from the camera on top of the pipe while the photo developed. He couldn’t help but stare at the face, at the changes made by time. He thought of that face and the inebriated grin that creased it