The Book of Air and Shadows

come in earlier, you’d have to show the backstory in flashback, the humble clerk who maybe has a past of his own, he’s an ex-cop maybe, and they get together and fall in love and she disappears and…
    Why does she disappear? Crosetti didn’t know, and he found he could not generate a fictional reason that would hold water either. Was she kidnapped? No, too melodramatic. Did she see an opportunity to get enough money so that she could get the kids away from the bad dad? That made more sense. She’d run off with Bulstrode in pursuit of the Shakespeare manuscript. There was a clue in the Bracegirdle letter, Bulstrode had found it, and they were off to England to where X marked the spot. Hundreds of millions, Fanny had said. That had to be it, and the next thing was for the hero to work out the clue himself and find where they’d gone and confront them there in England, you could fake that in Canada too, right, and there’d have to be a subplot, someone else looking for it, and the cruel dad cop also in there somewhere and they’d all come together in the old castle, in the dark, grabbing the briefcase with the manuscript in it away from one another, with plenty of business about false briefcases, a little reference to the
Maltese Falcon
, of course, and the only last-act problem would be the hero and Rolly, would he save her, would she save him, would they get out with the treasure, or would it be lost? Or maybe the cruel dad would get killed and she’d give up the treasure to be with the hero and the kids…
    He didn’t know how he’d end it, but the more he thought about it, about the intersection between fiction and the real, the more he thought that he had to get some advantage over Bulstrode, the Shakespeare expert, and the best way to do that was to crack the cipher, because with all his expertise, that was one thing Bulstrode did not have. So besides having to learn a lot more about Shakespeare, he had to decipher and read Bracegirdle’s spy letters. Such were Crosetti’s thoughts during the long drive back to the city, peppered by the usual fantasies: he confronts the angry husband, they fight, Crosetti wins; he finds Carolyn again, he acts wry, cool, sophisticated, he has understood all her plottings and forgives; he earns a fortune via the manuscript and explodes upon the cinematic world with a film that owes nothing to commercial demands yet touches the hearts of audiences everywhere, obviating the necessity for a long apprenticeship, cheap student films, playing gofer to some Hollywood asshole…
    He arrived back in Queens at around eight on Saturday evening, fell immediately into bed, slept for twelve hours straight, and awoke vibrating with more energy than he’d felt in a long time and frustrated because it was Sunday and he would have to wait before getting started. He went to mass with his mother therefore, which pleased her a good deal, and afterward she made him a colossal breakfast, which he consumed with gratitude, thinking of the scrawny kids in that house and being frankly grateful for his family, although he knew it was totally uncool to have such thoughts. While he ate he told his mother something of what he had learned.
    “So it was all lies,” she observed.
    “Not necessarily,” said Crosetti, who was still a little entranced with the fictional version he had concocted. “She
was
obviously on the lam from a bad situation. Parts of it could have been true. She changed the location and some of the details, but this guy actually locked her in a cellar, according to the kid. She could have been abused as a child and fallen into an abusive situation.”
    “But she’s married, which she didn’t bother to mention, and she ran out on her kids. I’m sorry, Allie, but that doesn’t speak well for her. She could have gone to the authorities.”
    Crosetti abruptly rose from the table and brought his plate and cup to the sink, and washed them with the clattering movement of the angry. He said, “Yeah, but we weren’t there. Not everybody has a happy family like we do, and the authorities sometimes screw up. We have no idea of what she went through.”
    “Okay, Albert,” said Mary Peg, “you don’t have to break the dishes to make a point. You’re right, we don’t know what she went through. I’m just a little worried about your emotional involvement with a married woman you hardly knew. It seems like an obsession.”
    Crosetti turned off the faucet and faced his mother.