The Brief Wondrous Life of Oscar Wao
hadn’t heard of Afro-Peruvians yet, or of a town called Chincha), body fine enough to make old men forget their infirmities, and from the sixth grade on dating men two, three times her age. (Maritza might not have been good at much—not sports, not school, not work—but she was good at men.) Did that mean she had avoided the curse—that she was happier than Oscar or Olga? That was doubtful. From what Oscar could see, Maritza was a girl who seemed to delight in getting slapped around by her boyfriends. Since it happened to her all the time . If a boy hit me , Lola said cockily, I would bite his face .
See Maritza: French-kissing on the front stoop of her house, getting in or out of some roughneck’s ride, being pushed down onto the sidewalk. Oscar would watch the French-kissing, the getting in and out, the pushing, all through his cheerless, sexless adolescence. What else could he do? His bedroom window looked out over the front of her house, and so he always peeped her while he was painting his D&D miniatures or reading the latest Stephen King. The only things that changed in those years were the models of the cars, the size of Maritza’s ass, and the kind of music volting out the cars’ speakers. First freestyle, then Ill Will–era hiphop, and, right at the very end, for just a little while, Héctor Lavoe and the boys.
He said hi to her almost every day, all upbeat and faux-happy, and she said hi back, indifferently, but that was it. He didn’t imagine that she remembered their kissing—but of course he could not forget.
THE MORONIC INFERNO
H igh school was Don Bosco Tech, and since Don Bosco Tech was an urban all-boys Catholic school packed to the strakes with a couple hundred insecure hyperactive adolescents, it was, for a fat sci-fi–reading nerd like Oscar, a source of endless anguish. For Oscar, high school was the equivalent of a medieval spectacle, like being put in the stocks and forced to endure the peltings and outrages of a mob of deranged half-wits, an experience from which he supposed he should have emerged a better person, but that’s not really what happened—and if there were any lessons to be gleaned from the ordeal of those years he never quite figured out what they were. He walked into school every day like the fat lonely nerdy kid he was, and all he could think about was the day of his manumission, when he would at last be set free from its unending horror. Hey, Oscar, are there faggots on Mars?—Hey, Kazoo, catch this . The first time he heard the term moronic inferno he knew exactly where it was located and who were its inhabitants.
Sophomore year Oscar found himself weighing in at a whopping 245 (260 when he was depressed, which was often) and it had become clear to everybody, especially his family, that he’d become the neighborhood parigüayo. 5 Had none of the Higher Powers of your typical Dominican male, couldn’t have pulled a girl if his life depended on it. Couldn’t play sports for shit, or dominoes, was beyond uncoordinated, threw a ball like a girl. Had no knack for music or business or dance, no hustle, no rap, no G. And most damning of all: no looks. He wore his semi-kink hair in a Puerto Rican afro, rocked enormous Section 8 glasses—his “anti-pussy devices,” Al and Miggs, his only friends, called them—sported an unappealing trace of mustache on his upper lip and possessed a pair of close-set eyes that made him look somewhat retarded. The Eyes of Mingus. (A comparison he made himself one day going through his mother’s record collection; she was the only old-school dominicana he knew who had dated a moreno until Oscar’s father put an end to that particular chapter of the All-African World Party.) You have the same eyes as your abuelo, his Nena Inca had told him on one of his visits to the DR, which should have been some comfort—who doesn’t like resembling an ancestor?—except this particular ancestor had ended his days in prison.
Oscar had always been a young nerd—the kind of kid who read Tom Swift, who loved comic books and watched Ultraman —but by high school his commitment to the Genres had become absolute. Back when the rest of us were learning to play wallball and pitch quarters and drive our older brothers’ cars and sneak dead soldiers from under our parents’ eyes, he was gorging himself on a steady stream of Lovecraft, Wells, Burroughs, Howard, Alexander, Herbert, Asimov, Bova, and Heinlein, and even the Old Ones who were
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