The Caves of Périgord: A Novel

Lebanon when the bombs went off? The one that killed a lot of your chaps and then the Americans.”
    “Yes, but I wasn’t in the barracks at the time. I was off with the UN in the Bekáa Valley. A bad time. But you know what Napoleon said about the quality he wanted most in his generals?”
    “Yes, that they should be lucky,” said Manners.
    She glanced at him. Some sort of communication had taken place between the two men that Lydia could not begin to decode. A month ago, she might have jumped into the conversation to make some joke about men joining armies to recapture the boys’ clubs of their youth. Lydia smiled inwardly. It would have been the direct, the American thing to do, forcing the two men to turn their attention back to her. Clothilde would never have done it, being far too subtle in her wiles to stoop to the obvious, and perhaps that explained to Lydia the unconscious decision she had made not to interrupt the two men and the contact they had established. She was learning a lot from Clothilde. That elaborate flirtation with Malrand over the sexual symbols of cave art had been fascinating to watch, a most accomplished and discreet seduction of Malrand through his passion for ideas. It did not seem to have made much impression on the pragmatic Manners. But then the English were supposed to be suspicious of ideas. What, she wondered idly, would be the technique that would affect Manners in a similar way? Clothilde, she suspected, would know by instinct, and would probably employ the right technique out of sheer habit. Lydia was far from sure that she would. By agreeing to join him on this jaunt in Périgord, Lydia told herself, she had made no commitment, although she had not ruled out the prospect of a pleasant romantic dalliance should the mood take her. Manners, she suddenly thought, might not be thinking in the same way at all. What mysteries men were.
    They turned off at Montignac, crossed the river, and then ignored the signs that steered the tourists toward the mock cave that had been built for them, taking a side road that wound up the hill and through a thin screen of trees. Looking down, Lydia saw a long slope falling to a stretch of flatter land by the river, then the ground rising from the small town of Montignac beyond. Screen out the town, she thought, and this is the view the artists of seventeen thousand years ago saw as they left the cave each evening.

CHAPTER 11
The Vézère Valley, 15,000 B.C.
    D eer was sketching, as he always did. Down by the riverbank, sitting cross-legged by the water, a small stretch of moist clay smoothed flat by his hand, and a twig drawing lines that seemed to flow unbidden from his fingers. Somehow it was never beasts that sprang from the clay at times like this. What was emerging now was that fallen tree on the far bank of the river, the sad way one branch leaned into the water, while the heavy trunk just squatted on the shore. The water built up around the obstruction of the branch, making a fat lip that flowed into two arms that raced along either side of the bough and set the leaves dancing into the sudden turbulence of the river. Heavy lines for the tree, lighter lines for the flow of water, but how could he capture the way the leaves danced? Quickly, he scratched three tiny shapes alongside each other. One leaf that was curling up, another that curled down, another bent into a suggestion of movement and merged into the one of the lines of the water. That was almost right.
    “It’s the tree,” said a surprised voice. “The tree in the river.” Little Moon put down the skin in which she was fetching water, and bent over the sketch in the clay.
    “Those are the leaves in the water, and that is the river,” she said eagerly, while Deer’s eyes fixed on the dappled lights that flowed over her face from the sunlight reflected on the water. She turned, looking at the fallen tree. “I didn’t think you could draw trees. I mean, I didn’t think you could just draw what you see. What is just there.”
    “How can we draw anything unless we see it?”
    “But I thought only the beasts were drawn.” Her voice was low with an automatic respect.
    “In the caves, yes. Only beasts. But if you want to draw beasts, you must be able to draw other things. At least, I do. What I learn when I draw a tree, I can use when I draw a beast. Look, you see this water?” He pointed at the clay. “How do you draw water? I cannot. So I draw movement, and the shape