The Crayon Papers

of my ideas, and supported and illustrated them by long citations from the author.
    While thus holding forth, I cast a side glance to see how Miss Somerville was affected. She had some embroidery stretched on a frame before her, but had paused in her labor, and was looking down as if lost in mute attention. I felt a glow of self-satisfaction, but I recollected, at the same time, with a kind of pique, the advantage she had enjoyed over me in our tete-a-tete. I determined to push my triumph, and accordingly kept on with redoubled ardor, until I had fairly exhausted my subject, or rather my thoughts.
    I had scarce come to a full stop, when Miss Somerville raised her eyes from the work on which they had been fixed, and turning to her mother, observed: “I have been considering, mamma, whether to work these flowers plain, or in colors.”
    Had an ice-bolt shot to my heart, it could not have chilled me more effectually. “What a fool,” thought I, “have I been making myself—squandering away fine thoughts, and fine language, upon a light mind and an ignorant ear! This girl knows nothing of poetry. She has no soul, I fear, for its beauties. Can any one have real sensibility of heart, and not be alive to poetry? However, she is young; this part of her education has been neglected; there is time enough to remedy it. I will be her preceptor. I will kindle in her mind the sacred flame, and lead her through the fairy land of song. But after all, it is rather unfortunate that I should have fallen in love with a woman who knows nothing of poetry.”
    * * * * *
    I passed a day not altogether satisfactory. I was a little disappointed that Miss Somerville did not show more poetical feeling. “I am afraid, after all,” said I to myself, “she is light and girlish, and more fitted to pluck wild flowers, play on the flageolet, and romp with little dogs than to converse with a man of my turn.”
    I believe, however, to tell the truth, I was more out of humor with myself. I thought I had made the worst first appearance that ever hero made, either in novel or fairy tale. I was out of all patience, when I called to mind my awkward attempts at ease and elegance, in the tete-a-tete. And then my intolerable long lecture about poetry to catch the applause of a heedless auditor! But there I was not to blame. I had certainly been eloquent: it was her fault that the eloquence was wasted. To meditate upon the embroidery of a flower, when I was expatiating on the beauties of Milton! She might at least have admired the poetry, if she did not relish the manner in which it was delivered: though that was not despicable, for I had recited passages in my best style, which my mother and sisters had always considered equal to a play. “Oh, it is evident,” thought I, “Miss Somerville has very little soul!”
    Such were my fancies and cogitations during the day, the greater part of which was spent in my chamber, for I was still languid. My evening was passed in the drawing-room, where I overlooked Miss Somerville’s portfolio of sketches. They were executed with great taste, and showed a nice observation of the peculiarities of nature. They were all her own, and free from those cunning tints and touches of the drawing-master, by which young ladies’ drawings, like their heads, are dressed up for company. There was no garish and vulgar trick of colors, either; all was executed with singular truth and simplicity.
    “And yet,” thought I, “this little being, who has so pure an eye to take in, as in a limpid brook, all the graceful forms and magic tints of nature, has no soul for poetry!”
    Mr. Somerville, toward the latter part of the evening, observing my eye to wander occasionally to the harp, interpreted and met my wishes with his accustomed civility.
    “Julia, my dear,” said he, “Mr. Mountjoy would like to hear a little music from your harp; let us hear, too, the sound of your voice.”
    Julia immediately complied, without any of that hesitation and difficulty, by which young ladies are apt to make company pay dear for bad music. She sang a sprightly strain, in a brilliant style, that came trilling playfully over the ear; and the bright eye and dimpling smile showed that her little heart danced with the song. Her pet canary bird, who hung close by, was awakened by the music, and burst forth into an emulating strain. Julia smiled with a pretty air of defiance, and played louder.
    After some time the music changed, and ran into a