The Eyes of Darkness

DEAD
    NOT DEAD NOT DEAD
    NOT IN THE GROUND
    NOT DEAD
    GET ME OUT OF HERE
    GET ME OUT OUT OUT
     
    The message blinked and vanished from the screen. The printer fell silent.
    The room was growing colder by the second.
    Or was it her imagination?
    She had the crazy feeling that she wasn't alone. The man in black. Even though he was only a creature from a nightmare, and even though it was utterly impossible for him to be here in the flesh, she couldn't shake the heart-clenching feeling that he was in the room. The man in black. The man with the evil, fiery eyes. The yellow-toothed grin. Behind her. Reaching toward her with a hand that would be cold and damp. She spun around in her chair, but no one had come into the room.
    Of course. He was only a nightmare monster. How stupid of her.
    Yet she felt that she was not alone.
    She didn't want to look at the screen again, but she did. She had to.
    The words still burned there.
    Then they disappeared.
    She managed to break the grip of fear that had paralyzed her, and she put her fingers on the keyboard. She intended to determine if the words about Danny had been previously programmed to print out on her machine or if they had been sent to her just seconds ago by someone at another computer in another office in the hotel's elaborately networked series of workstations.
    She had an almost psychic sense that the perpetrator of this viciousness was in the building now, perhaps on the third floor with her. She imagined herself leaving her office, walking down the long hallway, opening doors, peering into silent, deserted offices, until at last she found a man sitting at another terminal. He would turn toward her, surprised, and she would finally know who he was.
    And then what?
    Would he harm her? Kill her?
    This was a new thought: the possibility that his ultimate goal was to do something worse than torment and scare her.
    She hesitated, fingers on the keyboard, not certain if she should proceed. She probably wouldn't get the answers she needed, and she would only be acknowledging her presence to whomever might be out there at another workstation. Then she realized that, if he really was nearby, he already knew she was in her office, alone. She had nothing to lose by trying to follow the data chain. But when she attempted to type in her instruction, the keyboard was locked; the keys wouldn't depress.
    The printer hummed.
    The room was positively arctic.
    On the screen, scrolling up:
     
    I'M COLD AND I HURT
    MOM? CAN YOU HEAR?
    I'M SO COLD
    I HURT BAD
    GET ME OUT OF HERE
    PLEASE PLEASE PLEASE
    NOT DEAD NOT DEAD
     
     
    The screen glowed with those words—then went blank.
    Again, she tried to feed in her questions. But the keyboard remained frozen.
    She was still aware of another presence in the room. Indeed the feeling of invisible and dangerous companionship was growing stronger as the room grew colder.
    How could he make the room colder without using the air conditioner? Whoever he was, he could override her computer from another terminal in the building; she could accept that. But how could he possibly make the air grow so cold so fast?
    Suddenly, as the screen began to fill with the same seven-line message that had just been wiped from it, Tina had enough. She switched the machine off, and the blue glow faded from the screen.
    As she was getting up from the low chair, the terminal switched itself on.
     
    I'M COLD AND I HURT
    GET ME OUT OF HERE
    PLEASE PLEASE PLEASE
     
     
    "Get you out of where?" she demanded. "The grave?"
     
    GET ME OUT OUT OUT
     
     
    She had to get a grip on herself. She had just spoken to the computer as if she actually thought she was talking to Danny. It wasn't Danny tapping out those words. Goddamn it, Danny was dead!
    She snapped the computer off.
    It turned itself on.
    A hot welling of tears blurred her vision, and she struggled to repress them. She had to be losing her mind. The damned thing couldn't be switching itself on.
    She hurried around the desk, banging her hip against one corner, heading for the wall socket as the printer hummed with the production of more hateful words.
     
    GET ME OUT OF HERE
    GET ME OUT OUT
                             OUT
                             OUT
     
    Tina stooped beside the wall outlet from which the computer received its electrical power and its data feed. She took hold of the two lines—one heavy cable and one ordinary insulated wire—and they seemed to come