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The First Book of Lankhmar

Titel: The First Book of Lankhmar Kostenlos Bücher Online Lesen
Autoren: Fritz Leiber
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messenger streaking down toward him from a fog-dim rectangle of window. Instinctively he jerked to one side. But there was no need. The dagger buried its point in the tabletop an arm's length to one side. For what seemed a long time the Mouser stood ready to jump again. The hollow chunking noise of the impact had not awakened the innkeeper nor disturbed the soldiers, one of whom now snored, too. Then the Mouser's left hand reached out and rocked the dagger loose. He slipped the small roll of parchment from the forte of the blade and, his gaze still walking guard on the windows, read in snatches the harshly-drawn runes of Lankhmar.
           Their import was this:  If you do not bring the jeweled skull to what was Krovas' and is now Slevyas' chamber by next midnight, we will begin to kill the Northerner. 

             * * * *

           Again next night the fog crept into Lankhmar. Sounds were muffled and torches ringed with smoky halos. But it was not yet late, although midnight was nearing, and the streets were filled with hurrying shopkeepers and craftsmen, and drinkers happily laughing from their first cups, and sailors new on leave ogling the shopgirls.
           In the street next that on which stood Thieves' House — the Street of the Silk Merchants, it was called — the crowd was thinning. The merchants were shutting shop. Occasionally they exchanged the noisy greetings of business rivals and plied shrewd questions pertaining to the state of trade. Several of them looked curiously at a narrow stone building, overshadowed by the dark mass of Thieves' House, and from whose slitlike upper windows warm light shone. There dwelt, with servants and hired bodyguard, one Ivlis, a handsome red-haired wench who sometimes danced for the Overlord, and who was treated with respect, not so much for that reason, but because it was said that she was the mistress of the master of the Thieves' Guild, to whom the silk merchants paid tribute. But that very day rumor had whispered that the old master was dead and a new one taken his place. There was speculation among the silk merchants as to whether Ivlis was now out of favor and had shut herself up in fear.
           A little old woman came hobbling along, her crooked cane feeling for the cracks between the slick cobblestones. Because she had a black cloak huddled around her and a black cowl over her head — and so seemed a part of the dark fog — one of the merchants almost collided with her in the shadows. He helped her around a slimy puddle and grinned commiseratingly when she complained in a quavering voice about the condition of the street and the manifold dangers to which an old woman was exposed. She went off mumbling to herself in a rather senile fashion, "Come on now, it's just a little farther, just a little farther. But take care. Old bones are brittle, brittle."
           A loutish apprentice dyer came ambling along, bumped into her rudely, and walked on without looking back to see whether she had fallen. But he had not taken two steps before a well-planted kick jarred his spine. He whirled around clumsily but he saw only the bent old form tottering off, cane tapping uncertainly. Eyes and mouth wide open, he moved back several steps, scratching his head in bewilderment not unmixed with superstitious wonder. Later that night he gave half his wages to his old mother.
           The old woman paused before the house of Ivlis, peered up at the lighted windows several times as if she were in doubt and her eyesight bad, then climbed up laboriously to the door and feebly waggled her cane against it. After a pause she rapped again, and cried out in a fretful, high voice: "Let me in. Let me in. I bear news from the gods to the dweller in this house. You inside there, let me in!"
           Finally a wicket opened and a gruff, deep voice said, "Go on your way, old witch. None enters here tonight."
           But the old woman took no notice of this and repeated stubbornly, "Let me in, I say. I read the future. It's cold in the street and the fog freezes my old throat. Let me in. This noon a bat came flapping and told me portentously of events destined for the dweller in this house. My old eyes can see the shadows of things which are not yet. Let me in, I say."
           The slim figure of a woman was silhouetted in the window above the door. After a little it moved away.
           The interchange of words between the old woman and

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