The First Book of Lankhmar
life, love, and death, sometimes on hind legs, but mostly on all fours. It scampered and investigated, it menaced and shrank, it attacked and fled, it caterwauled and writhed cat-lasciviously.
Despite the long black hair, it became no easier for the audience to think of it as a human female in a close-fitting suit of fur. For one thing, its forelegs were as long as its hind legs and appeared to have an extra joint in them.
Something white squawked and came fluttering upward from behind one of the screens. With a swift leap and slash of foreleg, the great silvery cat struck.
Everyone in Godshall heard the scream of the snow pigeon and the crack of its neck.
Holding the dead bird to its fangs, the great cat, standing womanly now, gave the audience a long look, then walked without haste behind the nearest screen. There came from the audience a sigh compounded of loathing and longing, of a wonder as to what would happen next, and of a wish to see what was going on now.
Fafhrd, however, did not sigh. For one thing, the slightest movement might have revealed his hiding place. For another, he could clearly see all that was going on behind both whorl-marked screens.
Being barred from the Show by his youth, let alone by Mor's wishes and witcheries, half an hour before showtime he had mounted one of the trunk-pillars of Godshall on the precipice side when no one was looking. The strong lacings of the hide walls made it the easiest of climbs. Then he had cautiously crawled out onto two of several stout pine branches growing inward close together over the hall, being very careful to disturb neither browning needles nor drifted snow, until he had found a good viewing hole, one opening toward the stage, but mostly hidden from the audience. Thereafter, it had been simply a matter of holding still enough so that no betraying needles or snow dropped down. Anyone looking up through the gloom and chancing to see parts of his white garb would take it for snow, he hoped.
Now he watched the two Mingol girls rapidly pull off from Vlana's arms the tight fur sleeves together with the fur-covered, claw-tipped, rigid extra lengths in which they ended and which her hands had been gripping. Next they dragged from Vlana's legs their fur coverings, while she sat on a stool and, after drawing her fangs off her teeth, speedily unhooked her leopard mask and shoulder piece.
A moment later she slouched back on stage — a cave woman in a brief sarong of silvery fur and lazily gnawing at the end of a long, thick bone. She mimed a cave woman's day: fire-and-baby-tending, brat-slapping, hide-chewing, and laborious sewing. Things got a bit more exciting with the return of her husband, an unseen presence made visible by her miming.
Her audience followed the story easily, grinning when she demanded what meat her husband had brought, showed dissatisfaction with his meager kill, and refused him an embrace. They guffawed when she tried to clobber him with her chewing bone and got knocked sprawling in return, her children cowering around her.
From that position she scuttled off stage behind the other screen, which hid the actors' doorway (normally the Snow Priest's) and also concealed the one-armed Mingol, whose flickering five fingers did all the drum music on the instrument clutched between his feet. Vlana whipped off the rest of her fur, changed the slant of her eyes and eyebrows by four deft strokes of makeup, seemingly in one movement shouldered into a long gray gown with hood, and was back on stage in the persona of a Mingol woman of the Steppes.
After another brief session of miming, she squatted gracefully down at a low, jar-stocked table stage front, and began carefully to make up her face and do her hair, the audience serving as her mirror. She dropped back hood and gown, revealing the briefer red silk garment her fur one had hidden. It was most fascinating to watch her apply the variously colored salves and powders and glittering dusts to her lips, cheeks, and eyes, and see her comb up her dark hair into a high structure kept in place by long, gem-headed pins.
Just then Fafhrd's composure was tested to the uttermost, when a large handful of snow was clapped to his eyes and held there.
He stayed perfectly still for three heartbeats. Then he captured a rather slender wrist
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