The German Genius

Letters: The Correspondence between Sigmund Freud and C. G. Jung , trans. Ralph Manheim and R. F. C. Hull (London: Hogarth Press: Routledge & Kegan Paul, 1974).
16. Paul Lerner, “Rationalising the Therapeutic Arsenal: German Neuropsychiatry in World War I,” in Berg and Cocks, eds., Medicine and Modernity , pp. 121–128.
17. David R. Oldroyd, Thinking about the Earth (London: Athlone Press, 1996), p. 250.
18. Roger M. McCoy, Ending in Ice: The Revolutionary Idea and Tragic Expedition of Alfred Wegener (Oxford: Oxford University Press, 2006), p. 31.
19. Joachim Schulte, et al., eds., Ludwig Wittgenstein: Philosophische Untersuchungen: Kritischgenetische Edition (Frankfurt am Main: Surhkamp, 2001). A good introduction.
20. Gordon Baker, Wittgenstein, Frege and the Vienna Circle (Oxford: Basil Blackwell, 1988), pp. 51ff. and 101ff.
21. Pasquale Frascella, Understanding Wittgenstein’s Tractatus (London: Routledge, 2007), chapters 2, 4, and 6.
22. Baker, Wittgenstein , pp. 101ff.
23. Simon Glendinning, The Idea of Continental Philosophy (Edinburgh: Edinburgh University Press, 2006), pp. 282ff.
24. Herman, The Idea of Decline , p. 228.
25. Watson, Modern Mind/Terrible Beauty , pp. 171–172.
26. Detlef Felken, Oswald Spengler: Konservativer Denker zwischen Kaiserreich und Diktatur (Munich: Beck, 1988), pp. 58ff.
27. Watson, Modern Mind/Terrible Beauty , p. 173.
28. Ibid.
29. Walter Lacquer, New York Times Book Review , May 15, 1983, p. 1.
30. Hayman, Thomas Mann , p. 289.
31. Lacquer, New York Times Book Review , p. 2.
32. Ibid.
33. Ibid.
34. Eugen Egger, Hugo Ball: Ein Weg aus dem Chaos (Otten: Otto Walter, 1951), pp. 41ff.
35. Tom Sandqvist, Dada East: The Romanians of Cabaret Voltaire (Cambridge, Mass.: MIT Press, 2006), pp. 90ff. See also Dominique Noguez, Lénine dada: Essai (Paris: Robert Laf-font, 1989).
36. Peter Schifferli, ed., Dada: Die Geburt des Dada; Dichtung und Chronik der Gründer/Mit Photos und Dokumenten. [In Zusammenarbeit mit] Hans Arp, Richard Huelsenbeck [und] Tristan Zara (Zurich: Im Verlag der Arche, 1957). Leah Dickerman, with essays by Brigid Doherty, et al., Dada: Zurich, Berlin, Hanover, Cologne, New York, Paris (Washington, D.C.: National Gallery of Art in Association with Distributed Art Publishers, 2005).
37. Eric Robertson, Arp: Painter, Poet, Sculptor (London: Yale University Press, 2006), pp. 36ff.
38. Dorothea Dietrich, The Collages of Kurt Schwitters: Tradition and Innovation (Cambridge: Cambridge University Press, 1993), pp. 37ff. See also Kate Traumann Steinitz, Kurt Schwitters: Erinnerungen aus den Jahen, 1918–30 (Zurich: Arche, 1963).
39. Walter Mehring, Berlin Dada: Eine Chronik mit Photos und Dokumenten (Zurich: Arche, 1959).
40. Uwe M. Schneede, George Grosz: His Life and Work , trans. Susanne Flatauer (London: Gordon Fraser, 1979), pp. 14–15.
41. Matthias Eberle, World War I and the Weimar Artists: Dix, Grosz, Beckmann, Schlemmer (New Haven, Conn., and London: Yale University Press, 1985), pp. 1–21.
42. Wolfgang Schivelbusch, The Culture of Defeat: On National Trauma, Mourning and Recovery , trans. Jefferson Chase (London: Granta, 2003), p. 247.
43. Norbert Elias, The Germans: Power Struggles and the Development of Habitus in the Nineteenth and Twentieth Centuries , ed. Michael Schröter, trans. Eric Dunning and Stephen Mennell (Cambridge: Polity Press, 1996), p. 7.
    C HAPTER 31: W EIMAR : “U NPRECEDENTED M ENTAL A LERTNESS ”
     
1. Otto Freundlich, Before the Deluge: A Portrait of Berlin in the 1920s (London: Harper, 1995), p. 175. For excellent photographs of Berlin in the 1920s, see Rainer Metzger, Berlin in the Twenties: Art and Culture 1918–1933 (London: Thames & Hudson, 2007), passim. Elias, The Germans , pp. 214ff.
2. See, for example, Hans-Jürgen Buderer, Neue Sachlichkeit: Bilder auf der Suche nach der Wirklichkeit; Figurative Malerei der zwanziger Jahre (Munich: Prestel, 1994); and Bärbel Schrader, The Golden Twenties: Art and Literature in the Weimar Republic , trans. Katherine Vanovitch (New Haven, Conn., and London: Yale University Press, 1988).
3. Ian Roberts, German Expressionist Cinema: The World of Light and Shadow (London: Wallflower, 2008), p. 25, gives new archival research on Wiene.
4. S. S. Prawer, Caligari’s Children: The Film as Tale of Terror (Oxford and New York: Oxford University Press, 1980), pp. 8ff.
5. For Gropius, see Kathleen James-Chakraborty, eds., Bauhaus Culture: From Weimar to the Cold War (Minneapolis, Minn., and