The Girl You Left Behind
Mo surreptitiously
eats a macaroon. When Liv looks up, Philippe Bessette is gazing at her. ‘Thank you
for seeing us, Monsieur.’ She touches his arm. ‘I find it hard to associate
the woman you describe with the woman I see. I … have her portrait. I have
always loved it.’
He lifts his head a few degrees. He looks at
her steadily as Mo translates.
‘I honestly thought she looked like
someone who knew she was loved. She seemed to have spirit.’
The nursing staff appear in the doorway,
watching. Behind her a woman with a trolley looks in impatiently. The smell of food
seeps through the doorway.
She stands to leave. But as she does so,
Bessette holds up a hand. ‘Wait,’ he says, gesturing towards a bookshelf
with an index finger. ‘The one with the red cover.’
Liv runs her fingers along the spines until
he nods. She pulls a battered folder from the bookshelf.
‘These are my aunt Sophie’s
papers, her correspondence. There is a little about her relationship with Édouard
Lefèvre, things they discovered hidden around her room. Nothing about your
painting, as I recall. But it may give you a clearer picture of her. At a time when her
name was being blackened, it revealed my aunt to me … as human. A wonderful
human being.’
Liv opens the folder carefully. Postcards,
fragile letters, little drawings are tucked within it
.
She sees looping
handwriting on a brittle piece of paper, the signature
Sophie
. Her breath
catches in her throat.
‘I found it in my father’s
things after he died. He told Hélène he had burned it, burned everything. She
went to her grave thinking everything of Sophie was destroyed. That was the kind of man
he was.’
She can barely tear her eyes from them.
‘I will copy them and send this straight back to you,’ she stammers.
He gives a dismissive wave of his hand.
‘What use do I have for them? I can no longer read.’
‘Monsieur – I have to ask. I
don’t understand. Surely the Lefèvre family would have wanted to see all of
this.’
‘Yes.’
She and Mo exchange looks. ‘Then why
did you not give it to them?’
A veil seems to lower itself over his eyes.
‘It was the first time they visited me. What did I know about the painting? Did I
have anything to help them? Questions, questions …’ He shakes his head, his
voice lifting. ‘They cared nothing for Sophie before. Why should they profit at
her expense now? Édouard’s family care for nobody but themselves. It is all
money, money, money. I would be glad if they lost their case.’
His expression is mulish. The conversation
is apparently closed. The nurse hovers at the door, signalling mutely with her watch.
Liv knows they are on the point of outstaying their welcome, but she has to ask one more
thing. She reaches for her coat.
‘Monsieur – do you know anything about
what happened to your aunt Sophie after she left the hotel? Did you ever find
out?’
He glances down at her picture and rests his
hand there. His sigh emanates from somewhere deep within him.
‘She was arrested and taken by the
Germans to the reprisal camps. And, like so many others, from the day she left, my
family never saw or heard of her again.’
23
1917
The cattle truck whined and jolted its way
along roads pocked with holes, occasionally veering on to the grassy verges to avoid
those that were too large to cross. A fine rain muffled sound, making the wheels spin in
the loose earth, the engine roaring its protest and sending up clods of mud as the
wheels struggled for purchase.
After two years in the quiet confines of our
little town, I was shocked to see what life – and destruction – lay beyond it. Just a
few miles from St Péronne, whole villages and towns were unrecognizable, shelled
into oblivion, the shops and houses just piles of grey stone and rubble. Great craters
sat in their midst, filled with water, their green algae and plant life hinting at their
long standing, the townspeople mute as they watched us pass. I went through three towns
without being able to identify where we were, and slowly I grasped the scale of what had
been taking place around us.
I stared out through the swaying tarpaulin
flap, watching the columns of mounted soldiers pass on skeletal horses, the grey-faced
men hauling stretchers, their uniforms dark and wet, the swaying trucks from which wary
faces looked out, with blank,
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