The Girl You Left Behind
clearly. I remember it because I
couldn’t work out what it meant. It said, in chalk: ‘
Pour Herr
Kommandant, qui comprendra: pas pris, mais donné
.’ She pauses.
‘To Herr Kommandant, who will understand: not taken, but given.’
36
Liv hears the noise rise up, like a cloud
of birds, around her. She sees the journalists crowding round the old lady, their pens
waving like antennae, the judge talking urgently with the lawyers, banging his gavel in
vain. She stares up at the public gallery, at the animated faces, and hears the strange
trickle of applause that might be for the old woman or for the truth: she isn’t
sure.
Paul is fighting his way through the crowd.
When he gets to her he pulls her to him, his head dipped against hers, his voice in her
ear. ‘She’s yours, Liv,’ he says, and his voice is thick with relief.
‘She’s yours.’
‘She lived,’ she says, and she
is laughing and crying at the same time. ‘They found each other.’ From his
arms, she gazes around her at the chaos, and she is no longer afraid of the crowd.
People are smiling, as if this has been a good result; as if she is no longer the enemy.
She sees the Lefèvre brothers stand to leave, their faces as sombre as
coffin-bearers, and is flooded with relief that Sophie will not be returning to France
with them. She sees Janey, gathering her things slowly, her face frozen, as if she
cannot believe what has just taken place.
‘How about that?’ Henry claps a
hand on her shoulder, his face wreathed in smiles. ‘How about that? No one’s
even listening to poor old Berger’s verdict.’
‘C’mon,’ says Paul, placing
a protective arm around her shoulders. ‘Let’s get you out of
here.’
The clerk appears, pushing his way through
the sea of people. He stands in front of her, blocking her path, slightly breathless
with the effort of his short journey. ‘Here, madam,’ he says, and hands her
the painting. ‘I believe this is yours.’
Liv’s fingers close around the gilded
frame. She glances down at Sophie, her hair vibrant in the dull light of the court, her
smile as inscrutable as ever. ‘I think it would be best if we took you out the
back way,’ the clerk adds, and a security guard appears beside him, propelling
them towards the door, already speaking into his walkie-talkie.
Paul makes as if to step forward, but she
puts a hand on his arm, stopping him. ‘No,’ says Liv. She takes a breath and
straightens her shoulders, so that she seems just a little bit taller. ‘Not this
time. We’re going out through the front.’
Epilogue
Between 1917 and 1922 Anton and Marie
Leville lived in a small house close to the edge of a lake in the Swiss town of
Montreux. They were a quiet couple, not fond of entertaining, but apparently most
content in each other’s company. Madame Leville worked as a waitress in a local
restaurant. She is remembered as efficient and friendly but as someone who did not
volunteer conversation (‘A rare quality in a woman,’ the proprietor would
remark, with a sideways look at his wife).
Every evening at a quarter past nine, Anton
Leville, a tall, dark-haired man with an oddly shambolic gait, could be seen walking the
fifteen minutes to the restaurant, where he would tip his hat through the open door to
the manager, then wait outside until his wife emerged. He would hold out his arm, she
would take it, and they would walk back together, slowing occasionally to admire the
sunset on the lake or a particularly decorative shop window. This, according to their
neighbours, was the routine for their every working day and they rarely deviated from
it. Occasionally Madame Leville would post parcels, little gifts, to an address in
northern France, but apart from that they seemed to have little interest in the wider
world.
At weekends the couple tended to remain at
home, emerging occasionally to go to a local café where, if itwere sunny enough, they would spend several hours playing cards or sitting beside each
other in companionable silence, his large hand over her smaller one.
‘My father would joke to Monsieur
Leville that Madame would not blow away on the breeze if he were to release her just for
a minute,’ said Anna Baertschi, who had grown up next door. ‘My father used
to tell my mother that he thought it was a little improper, to be hanging on to your
wife in public
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