The Glass Books of the Dream Eaters

through the lacings of her dress. She whirled around, her hands holding it to her bosom as it peeled away from her back and off of her shoulders. The woman was tucking something small and bright back into her bag, crossing to the small inner door, and jamming a third cigarette into her holder as she spoke.
    “You can come in through here.”
    Without a further glance at Miss Temple the woman in red opened the door with impatience, paused to get a light from the nearest wall sconce, and strode from view, pulling the door behind her so it slammed.

    Miss Temple stood, at a loss. Her dress was ruined, or at least ruined without immediate access to new lacing and a maid to tie it up. She pulled it off of her upper body and did her best to shift the back section around so she could see it—fragments of green lacework were even now tumbling to the floor. She looked at the door to the hallway. She could hardly leave like this. On the other hand, she could hardly leave in her corset, or in the pitifully gossamer silk robe. She remembered with relief that she did still have her cloak, and could surely cover any less than decorous attire with that. This made her feel a little better and, after a moment of steady breathing, she was in less of a hurry to escape, and began to wonder once more about the woman, the party, and of course, never far from her thoughts, Roger. If she could return to fetch her cloak at any time and simply put it over her corset or ruined dress, then what was the harm in perhaps investigating further? On top of this, she was now intrigued by the reference to the hotel—she was determined to find out if such things happened at the Boniface, and how other than by continuing could she pursue her brave plan? She turned back to the cabinet. Perhaps there were other things than the robe.

    There were, but she wasn’t sure if she was any more comfortable at the thought of putting them on. Several items could only be described as undergarments, and probably from a warmer climate than this—Spain? Venice? Tangier?—a pale silken bodice, several sheer petticoats, and a pair of darling little silk pants with an open seam between the legs. There was also another robe, similar to the first, only longer and without any sleeves. The ensemble was all white, save for the second robe, which had a small green circle embroidered repeatedly as a border around the collar and the bottom hem. Miss Temple assumed this was why she was allowed to keep her shoes. She looked at her own undergarments—shift, petticoats, cotton breeches, and her corset. Except for the corset, she didn’t see too much of a difference between what was in the cabinet and the items on her body—save for the former being made of silk. Miss Temple was not in the habit of wearing silk—and it was only rarely that she was provoked into a choice outside her habits. The problem was getting out of her corset and then back into it, without assistance. She felt the silken pants between her fingers and resolved to try.
    Her fingers tore behind her at the knotwork of the corset, for now she was concerned about taking too long, and did not want anyone coming in to collect her when she was half-naked, and once she was free of it—and taking deeper breaths than she was used to—she pulled the corset and her shift over her head. She pulled on the silk bodice, sleeveless, with tiny straps to keep it up, and tugged it into place over her bosom. She had to admit that it felt delicious. She pushed her petticoats and breeches down to the floor and, balancing on one foot and then the other, kicked her shoes free of them. She reached for the little pants, feeling a strange thrill at standing in such a large room wearing nothing but the bodice, which did not stretch below her ribs, and her green ankle boots. Stranger still, pulling on the pants, was how she felt somehow even more naked, with the open seam along her delicate curls. She ran her fingers through them once, finding the exposure both exquisite and a little frightening. She removed her fingers, sniffed them by habit, and reached for the silken petticoats, holding them open and stepping through the circle one foot at a time. She pulled them up, tied them off, and then reached again for her corset.
    Before she put it on, Miss Temple stepped in front of the large mirror. The woman who stared back was unknown to her. It was partially the mask—the experience of looking at herself in a mask was extremely