The Glass Books of the Dream Eaters
successive flights, a nagging anxiety rising along his spine. They had taken too long. And even if they escaped the house—where to go? The two men knew he was at the King Crow—it could not be safe if they were part of the Cabal, as of course they must be—but the train was not until next morning. Could he sleep in someone’s shed? Could Elöise? He flushed at the very idea, and squeezed her hand in instinctive assurance that the thoughts in his head would not be succumbed to—a certainty challenged by her squeeze of his own hand in return.
At the top of the last staircase—leading down to the brightly lit first floor and the parlor where he’d left the Bascombe woman—he stopped again, indicating they should be especially silent. Svenson listened…the house was still. They crept down one stair at a time until Svenson could step to the parlor door itself and peer in. It was empty, the dishes still there (but not the cake). He looked the other direction—another parlor, also empty. He turned back to Elöise and whispered.
“No one. Which way is the door?”
She finished descending the stairs and crossed to him, standing close and leaning past his chest to look for herself. She stepped back, still quite close, and whispered in return. “I believe it is through that room and one other, not far at all.”
Svenson barely took in her words. In her exertions in the attic, her dress had opened another button. Looking down at her—she was not so very short, but still his was a lovely view—he could see the determination in her face and eyes, the naked skin of her throat and then, through the opened collar of her dress, the join of her clavicles to her sternum—bones that always made him think with a strange sensual stirring of bird skeletons. She looked up at him. Without moving her eyes he knew she saw him looking at her body. She said nothing. Around Doctor Svenson time had slowed—perhaps it was all this talk of ice and freezing—and he drank in the sight of her and her acceptance of his gaze equally. He was as helpless as he had been before the Contessa. He swallowed and attempted to speak.
“This afternoon…do you know…on the train…I had…such a dream…”
“Did you?”
“I did…goodness, yes…”
“Do you remember it?”
“I do…”
He had no idea what lay behind her eyes. He was about to kiss her when they heard the screaming.
It was a woman, somewhere in the house. Svenson spun his head toward either parlor but could not tell in which direction to go. The woman screamed again. Svenson snatched hold of Elöise’s hand and pulled her back through the tea cups and cake plates to the corridor where he’d first arrived, his hand digging at his greatcoat as they went. He quickly opened the door and thrust her into the study. She tried to protest, but her words were stopped as he placed the heavy service revolver in her hands. Her mouth opened with shock, and Svenson gently forced her fingers around the butt of the gun, so she was holding it correctly. This got her attention enough that he could whisper and know she would understand him. Behind them the woman screamed again.
“This is Lord Tarr’s study. The garden door”—he pointed to it—“is open, and the stone wall is low enough to climb. I will be right back. If I am not, go—do not hesitate. There is a train at eight o’clock tomorrow morning to the city. If anyone accosts you—anyone who is not a man in red or a woman wearing green shoes—shoot them dead.”
She nodded. Doctor Svenson leaned forward and placed his lips on hers. She responded fervently, emitting the softest small moan of encouragement and regret and delight and despair all together. He stepped back and pulled the door closed. He walked down the hallway to the other end, passed through a small service room. Svenson availed himself of a heavy candlestick, twisting it in his hand to get a firm grip. The woman was no longer screaming. He strode forward to his best estimate of where the sound had been with five pounds of brass in his hand.
Another hallway fed Svenson into a large carpeted dining room, the high walls covered with oil paintings, the floor dominated by an enormous table surrounded by perhaps twenty high-backed chairs. At the far end stood a knot of men in black coats. Curled into a ball on her side, on top of the table, was the Bascombe woman, her shoulders heaving. As he walked toward them—the carpet absorbing the sound of his
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