The Glass Books of the Dream Eaters

flowers in the Prince’s room before, nor were any similar touches of feminine decoration present in the diplomatic compound. He was unaware of any woman’s presence in the compound at all, now that he thought of it, nor had Karl-Horst ever shown a preference for flowers or, for that matter, beauty. Perhaps they were a gift from Lydia Vandaariff. Perhaps some shred of affection had actually penetrated Karl-Horst’s pageant of appetite.
    Svenson frowned and scooted closer to the side table, peering at the vase. He wiped his monocle and looked closer—the glass was somewhat artistic, with a slightly irregular surface and occasional deliberate flaws, whorls, or bubbles. He frowned again—was there something
in
it? He snatched a towel from the Prince’s shaving table and laid it on the bed, and then gathered the lilies with both hands and placed them dripping on the towel. He picked up the vase and held it to the light. There
was
something in it, another piece of glass perhaps, deflecting the light passing through, though it itself seemed invisible. Svenson put the vase down and pushed up his sleeve. He reached in, groped for a moment—the thing was quite slippery—and extracted a small rectangle of blue glass, approximately the size of a calling card. He wiped it and his hand on the towel and studied it. Within seconds, as if he had been struck with a hammer, Svenson was on his knees—shaking his head, dizzy, having nearly dropped the glass card in surprise.
    He looked again.

    It was like entering someone else’s dream. After a moment the blue cast of the glass vanished as if he had pierced a veil…he was staring into a room—a dark, comfortable room with a great red sofa and hanging chandeliers and luxurious carpets—and then, which was why he had nearly dropped it the first time—the image
moved,
as if he was walking, or standing and turning his gaze about the salon—and he saw
people,
people who were looking right at him. He could hear nothing save the sound of his own breath, but his mind had otherwise fully entered the space of these images—
moving
images—like photographs but not like them also, at once more vivid and less sharp, more fully dimensional and incomprehensibly infused with
sensation,
with the feel of a silken dress, petticoats bunched up around a woman’s legs, her satin flesh beneath the petticoats and then of a man stepping between her legs, sensing her smile somehow as his body fumblingly found its position. Her head leaned back over the top of the sofa—for he saw the ceiling and felt her hair hanging around her face and throat—a face that was masked, he realized—and then the sensation in her loins—luscious, exquisite—as, quite clearly—from the liquid sensations shuddering through Svenson’s own body—the man was penetrating her. Then the image turned slightly, as the woman’s head turned, and just visible against the wall behind her was part of a large wall mirror. For a sharp second, Svenson saw the reflection of the man’s face and the back of the room beyond him. The man, perfectly plainly, was Karl-Horst von Maasmärck.
    The woman was not Lydia Vandaariff, but someone with brown hair. In the glimpse of the room beyond the Prince, Svenson had been shocked to see other people—spectators?—and something else beyond them—an open door? a window?—but he let it be and with more effort than he expected wrenched his gaze from the card. What was he looking at? He looked down at himself with a spasm of shame—he had become quite aroused. What’s more—he forced his mind to think clearly—he had been aware of moments within the interaction that he had not actually seen…the woman touching herself, both for pleasure and to gauge her lubrication, Karl-Horst fumbling with his trousers, and the moment of penetration itself…all of these, he realized, came from the point of view, the
experiential
point of view, of the woman—though the moments themselves had not been seen at all. With a breath of preparation he fixed his eyes again on the glass card, sinking into it as if he was entering a deep pool: first the bare sofa, then the woman pulling up her dress, then the Prince stepping between her legs, the coupling itself, the woman turning her head, the mirror, the reflection, and then, a moment later, the view was again the bare sofa—and then the entire scene was repeated…and then repeated again.

    Svenson put down the card. His breath was rapid. What was he