The Glass Books of the Dream Eaters

voice of the Comte. “I am
busy
, and my business makes noise. Attacked by
whom
?”
    “I’m sure I do not know,” replied the Contessa. “Colonel Aspiche has cut the throats of each
likely
candidate … thus my
curiosity
.”
    “The Duke is away?”
    “Exactly as planned, followed by those selected for book-harvest. As agreed, their distraction and loss of memory have been blamed on a virulent outbreak of blood fever—stories of which will be spread by our own adherents—a tale with the added benefit of justifying a quarantine of Harschmort, sequestering Lord Robert for as long as necessary. But that is not our present difficulty.”
    “I see,” grunted the Comte. “As I am in the midst of a very delicate procedure, I would appreciate it if you explained what in the depths of hell you are all doing here.”
    Miss Temple did her best to follow the others up the narrow stairs in silence. As her head cleared the balcony floor, she saw a domed stone ceiling above, lit by several wicked-looking iron chandeliers that bristled with spikes. Miss Temple could never see a chandelier under the best of circumstances without imagining the destructive impact of its sudden drop to the floor (especially if she was passing beneath), and these instinctive thoughts, and these fixtures, just made the Comte’s laboratory that much more a chamber of dread. The balcony was stacked with books and papers and boxes, all covered by a heavy layer of dust. Svenson indicated with a jab of his finger that she could inch forward to peek through the bars of the railing.
    Miss Temple had not been to the Institute, but she had managed a powerful glimpse of the hellish platform at the base of the iron tower. This room (as the walls were lined with bookshelves it seemed to have once been some sort of library) was a strange mixof that same industry (for there were tables cluttered with steaming pots and boiling vials and parchment and wickedly shaped metal tools) and a sleeping chamber, for in the center of the room, cleared by pushing aside and stacking any number of tables and chairs, was a very large bed. Miss Temple nearly gagged, covering her mouth with her hand, but she could not look away. On the bed, her bare legs dangling over the side, lay Lydia Vandaariff, her white robes around her thighs, each arm outstretched and restrained by a white silk cord. Her face shone with exertion, and each of her hands tightly gripped its cord, as if the restraint were more a source of comfort than punishment. The bedding between Lydia’s legs was wet, as was the stone floor beneath her feet, a pooling of watered blue fluid streaked with curling crimson lines. The embroidered hem of Lydia’s robe had been flipped down in a meager gesture toward modesty, but there was no ignoring the flecks of blue and red on her white thighs. She looked up at the ceiling, blinking.
    Slumped in a nearby chair, a half-full glass in his hand and an open bottle of brandy on the floor between his legs, sat Karl-Horst von Maasmärck. The Comte wore his leather apron, his black fur slung over a pile of chairs behind him, and cradled a bizarre metal object, a metal tube with handles and valves and a pointed snout that he wiped clean with a rag.
    On the walls behind them, hung on nails hammered carelessly into the bookcases, were thirteen distinct squares of canvas. Miss Temple turned to Chang and pointed. He had seen them as well, and made a deliberate gesture to flatten his hand and then turn it over, as to turn a page. At the St. Royale, Lydia had muttered something about the
rest
of the
Annunciation
fragments—indicating that she had seen them collected. Miss Temple knew the squares of canvas represented the entire reconstituted work, but she had not expected the Comte to hang each painting face to the wall, for what she saw was not the complete blasphemous image(which she was frankly by now more than a little curious to see), but its canvas backing—Oskar Veilandt’s alchemical formulae as they traveled across every piece, for which the painting was but a decorative veil, a detailed recipe for his own Annunciation, the unspeakable impregnation of Lydia Vandaariff by way of his twisted science. Around each canvas were pasted scores of additional notes and diagrams—no doubt the Comte’s own attempts to understand Veilandt’s blasphemous instructions. Miss Temple looked down at the girl on the bed and bit her knuckle to keep silent …
    She heard an impatient sigh