The Kill Artist

his studio. Upstairs a small crowd was waiting: makeup artist, hairdresser, stylist, a representative from Givenchy. Michel stood atop a ladder, adjusting lights: good looking, shoulder-length blond hair, feline features. He wore black leather trousers, low-slung around narrow hips, and a loose pullover. He winked at Jacqueline as she came in. She smiled and said, "Nice to see you, Michel."
    "We'll have a good shoot today, yes? I can feel it."
    "I hope so."
    She entered a changing room, undressed, and studied her appearance in the mirror with professional dispassion. Physically she was a stunning woman: tall, graceful arms and legs, elegant waist, pale olive skin. Her breasts were aesthetically perfect: firm, rounded, neither too small nor abnormally large. The photographers had always loved her breasts. Most models detested lingerie work, but it never bothered Jacqueline. She'd always had more offers for work than she could fit into her schedule.
    Her gaze moved from her body to her face. She had curly raven hair that fell about her shoulders, dark eyes, a long, slender nose. Her cheekbones were wide and even, her jawline angular, her lips full. She was proud of the fact that her face had never been altered by a surgeon's scalpel. She leaned forward, probed at the skin around her eyes. She didn't like what she saw. It wasn't a line, really-something more subtle and insidious. The intangible sign of aging. She no longer had the eyes of a child. She had the eyes of a thirty-three-year-old woman.
    You're still beautiful, but face facts, Jacqueline. You're getting old.
    She pulled on a white robe, went into the next room, and sat down. The makeup artist began applying a base to her cheek. Jacqueline watched in the mirror as her face was slowly transformed into that of someone she didn't quite recognize. She wondered what her grandfather would think if could see this.
    He'd probably be ashamed…
    When the makeup artist and hairstylist finished, Jacqueline looked at herself in the mirror. Had it not been for the courage of those three remarkable people-her grandparents and Anne-Marie Delacroix-she would not be here today.
    And look at what you've become-an exquisite clothes hanger.
    She stood up, walked back to the changing room. The dress, a black strapless evening gown, waited for her. She removed her robe, stepped into the gown, and pulled it up over her bare breasts. Then she glanced at herself in the mirror. Devastating.
    A knock at the door. "Michel is ready for you, Miss Delacroix."
    "Tell Michel I'll be out in a moment."
    Miss Delacroix…
    Even after all these years she was still not used to it: Jacqueline Delacroix. Her agent, Marcel Lambert, was the one who had changed her name-"Sarah Halévy sounds too… well… you know what I mean, mon chou. Don't make me say it out loud. So vulgar, but such is the way of the world." Sometimes the sound of her French name made her skin crawl. When she learned what had happened to her grandparents in the war, she had burned with hatred and suspicion of all French people. Whenever she saw an old man, she would wonder what he had done during the war. Had he been a guard at Gurs or Les Milles or one of the other detention camps? Had he been a gendarme who helped the Germans round up her family? Had he been a bureaucrat who stamped and processed the paperwork of death? Or had he simply stood by in silence and done nothing? Secretly it gave her intense delight that she was deceiving the fashion world. Imagine their reaction if they found out the lanky, raven-haired beauty from Marseilles was in fact a Provençale Jew whose grandparents had been gassed at Sobibor. In a way being a model, the very image of French beauty, was her revenge.
    She took one last look at herself, lowering her chin toward her chest, parting her lips slightly, bringing fire to her coal-black eyes.
    Now she was ready.
    They worked for thirty minutes without stopping. Jacqueline adopted several poses. She sprawled across a simple wooden chair. She sat on the floor, leaning back on her hands, with her head tilted upward and her eyes closed. She stood with her hands on her hips and her eyes boring through the lens of Michel's camera. Michel seemed to like what he was seeing. They were in sync. Every few minutes he would pause for a few seconds to change his film, then quickly resume shooting. Jacqueline had been in the business long enough to know when a shoot was working.
    So she was surprised when he