The Luminaries

proverbs, the meaning of which was always beautiful, but not always particularly clear.
    He began speaking, for example, by observing that upon a big tree there are always dead branches; that the best soldiers are never warlike; and that even good firewood can ruin a stove—sentiments which, because they came in very quick succession, and lacked any kind of stabilising context, rather bewildered Quee Long. The latter, impelled to exercise his wit, retaliated with the rather acidic observation that a steelyard always goes with the weights— implying , with the aid of yet another proverb, that his guest had not begun speaking with consistency.
    We shall therefore intervene, and render Sook Yongsheng’s story in a way that is accurate to the events he wished to disclose, rather than to the style of his narration.

    Ah Sook rarely ventured into Hokitika proper. He kept, in the main, to his hut in Kaniere, which was fitted like a salon, with sofa-beds against every wall, and cushions strewn about, and fabrics pinned up to conserve and subdue the heavy smoke that coiled up from the pipes, the chafing dishes, the spirit lamps, the stove. The opium den had an air of stout impregnability about it, an impression compounded by the warm fug of its close atmosphere, and this was a comfort upon which Ah Sook had come to depend. Over the course of the past fortnight, however, he had made the journey to the river mouth no less than five times.
    Upon the morning of the 14th of January (some twelve hours prior to Anna Wetherell’s near-death), Ah Sook had received wordfrom Joseph Pritchard that a long-awaited shipment of opium had just been delivered to his drug emporium, and was available for purchase. Ah Sook’s own supplies of the drug were very low. He donned his hat, and made for Hokitika at once.
    At Pritchard’s emporium he purchased a half-pound block of resin and paid for it in pure. In the street, with the paper-wrapped block stowed safely in the bottom of his satchel, he felt a rush of summery possibility, the likes of which a Hokitika morning rarely produced in him. The sun was shining, and the Tasman wind lent a briny sharpness to the air. The crowds in the street seemed very gay, and as he stepped across the gutter, a passing digger tipped his hat, and smiled at him. Emboldened by this incidental gesture, Ah Sook resolved to delay his return to Kaniere. He would spend an hour or so browsing the salvage crates on Tancred-street, as a special present to himself. After that, he thought, he might even purchase a joint of meat from the butcher’s, and take it home to make a soup.
    But on the corner of Tancred-street he came up short: his festive mood dissolved at once. Standing at the far end of the street was a man whom Ah Sook had not seen in over a decade, and whom Ah Sook had believed, prior to that moment, he would never see again.
    His old acquaintance was very much changed since their last encounter. His proud face was much disfigured, and a decade in gaol had lent a muscled bulk to his chest and arms. His posture was familiar, however: he was standing with his shoulders slightly rounded, and the backs of his hands against his hips, as in the days of old. (How strange, Ah Sook thought later, that one’s gestures remain the same, even as the body changes, weathers, and gives itself over to age—as though the gestures were the real vessel, the vase to the body’s flower. For it was Francis Carver through and through, to stand with his hips cocked slightly forward, and his shoulders hunched—a posture that would have been slovenly in another man. But Carver’s presence, grave, dark, and imposing, was such that he could afford to neglect those rules of carriage that other men were obliged, by virtue of their very mediocrity, toobserve.) Carver half-turned to cast his gaze down the street, and Ah Sook leaped sideways, out of view. He leaned against the rough pine of the grocery store wall and waited there a moment until the beating of his heart had slowed.
    The full account of Sook Yongsheng’s history with Francis Carver was not yet known to Quee Long, but Ah Sook did not recount the full particulars of the story at this time. He explained to his host only that Francis Carver was a murderer, and that he, Sook Yongsheng, had sworn to take Carver’s life as an act of vengeance. He gave this information almost carelessly, as though it were altogether commonplace to swear vengeance upon one’s foes; in truth,