The Moviegoer
up my sleeve to see my watch, she sucks in her breath. âBack to the halt and the lame and the generally no âcount.â
âSweetie, lie down first and let me rub your neck.â I can tell from her eyes when she has a headache.
Later, when Mercer brings the car around to the front steps, she lays a warm dry cheek against mine. âm-M! Youâre such a comfort to me. You remind me so much of your father.â
âI canât seem to remember him.â
âHe was the sweetest old thing. So gay. And did the girls fall over him. And a mind! He had a mind like a steel trap, an analytical mind like yours.â (She always says this, though I have never analyzed anything.) âHe had the pick of New Orleans.â
(And picked Anna Castagne.)
Mercer, who has changed to a cord coat and cap, holds the door grudgingly and cranes up and down the street as much as to say that he may be a chauffeur but not a footman.
She has climbed into the car but she does not release my hand.
âHe would have been much happier in research,â she says and lets me go.
6
THE RAIN HAS STOPPED. Kate calls from under the steps.
She is in the best of spirits. She shows me the brick she found under linoleum and the shutters Walter bought in a junkyard. It bothers her that when the paint was removed the shutters came somewhat frayed from the vat.
âThey will form a partition here. The fountain and planter will go out here.â By extending the partition into the garden, a corner of the wall will be enclosed to form a pleasant little nook. I can see why she is so serious: truthfully it seems that if she can just hit upon the right place, a shuttered place of brick and vine and flowing water, her very life can be lived. âI feel wonderful.â
âWhat made you feel wonderful?â
âIt was the storm.â Kate clears the broken settee and pulls me down in a crash of wicker. âThe storm cut loose, you and Mother walked up and down, up and down, and I fixed myself a big drink and enjoyed every minute of it.â
âAre you ready to go to Lejiers?â
âOh I couldnât do that,â she says, plucking her thumb. âWhere are you going?â she asks nervously, hoping that I will leave.
âTo Magazine Street.â I know she isnât listening. Her breathing is shallow and irregular, as if she were giving thought to each breath, âIs it bad this time?â
She shrugs.
âAs bad as last time?â
âNot as bad.â She gives her knee a commonplace slap. After a while she says: âPoor Walter.â
âWhatâs the matter with Walter?â
âDo you know what he does down here?â
âNo.â
âHe measures the walls. He carries a little steel tape in his pocket. He canât get over how thick the walls are.â
âAre you going to marry him?â
âI donât know.â
âYour mother thought it was the accident that still bothered you.â
âDid you expect me to tell her otherwise?â
âThat it did not bother you?â
âThat it gave me my life. Thatâs my secret, just as the war is your secret.â
âI did not like the war.â
âBecause afterwards everyone said: what a frightful experience she went through and doesnât she do remarkably well. So then I did very well indeed. I would have made a good soldier.â
âWhy do you want to be a soldier?â
âHow simple it would be to fight. What a pleasant thing it must be to be among people who are afraid for the first time when you yourself for the first time in your life have a proper flesh-and-blood enemy to be afraid of. What a lark! Isnât that the secret of heroes?â
âI couldnât say. I wasnât a hero.â
Kate muses. âCan you remember the happiest moment of your life?â
âNo. Unless it was getting out of the army.â
âI can. It was in the fall of nineteen fifty-five. I was nineteen years old and I was going to marry Lyell and Lyell was a fine fellow. We were driving from Pass Christian to Natchez to see Lyellâs family and the next day we were going up to Oxford to see a game. So we went to Natchez and the next day drove to Oxford and saw the game and went to the dance. Of course Lyell had to drive home after the dance. We got almost to Port Gibson and it was after dawn but there was a ground fog. The Trace was still dark in low
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