The Moviegoer
for. One cannot simply shrug it off.
âWhere to now?â asks Kate. She stands at my shoulder under the marquee, plucking at her thumb and peering into the darkness.
âWherever you like.â
âGo on about your business.â
âVery well.â
She saw Merle Mink this afternoon and seems to feel better for it. He approved her breaking her engagement with Walter and set up a not very rigorous schedule of office visits. Most important, she no longer feels she is coming near the brink of an abyss. âBut the trouble is,â she said gloomily as we sat in the theater waiting for the lights to go out, âI am always at my best with doctors. They are charmed with me. I feel fine when Iâm sick. It is only when Iâm well thatââ Now in the shadow of the camphor tree she stops suddenly, takes my arm in both hands. âHave you noticed that only in time of illness or disaster or death are people real? I remember at the time of the wreckâpeople were so kind and helpful and solid. Everyone pretended that our lives until that moment had been every bit as real as the moment itself and that the future must be real too, when the truth was that our reality had been purchased only by Lyellâs death. In another hour or so we had all faded out again and gone our dim ways.â
We wander along the dark paths of the campus and stop off at my weedy stoop behind the laboratory. I sit on the concrete step and think of nothing. Kate presses her bleeding thumb to her mouth. âWhat is this place?â she asks. A lamp above the path makes a golden sphere among the tree-high shrubs.
âI spent every afternoon for four years in one of those laboratories up there.â
âIs this part of the repetition?â
âNo.â
âPart of the search?â
I do not answer. She can only believe I am serious in her own fashion of being serious: as an antic sort of seriousness, which is not seriousness at all but despair masquerading as seriousness. I would as soon not speak to her of such things, since she is bound to understand it as a cultivated eccentricity, like the eccentricity of the roommate she used to talk about: âA curious girl, BoBo. Do you know what she liked to do? Collect iron deer. She located every iron deer in Westchester County and once a month sheâd religiously make her rounds and pay them a visitâjust park and look at them. She had names for each one: Tertullian, Archibald MacLeish, Alf Landonâshe was quite serious about it.â I have no use at all for girls like BoBo nor for such antic doings as collecting iron deer in Westchester County.
âWhy donât you sit down?â I ask her irritably.
âNow the vertical search is whenââ
(Am I irritable because, now that she mentions it, I do for a fact sound like BoBo and her goddamn iron deer?)
âIf you walk in the front door of the laboratory, you undertake the vertical search. You have a specimen, a cubic centimeter of water or a frog or a pinch of salt or a star.â
âOne learns general things?â
âAnd there is excitement to the search.â
âWhy?â she asks.
âBecause as you get deeper into the search, you unify. You understand more and more specimens by fewer and fewer formulae. There is the excitement. Of course you are always after the big one, the new key, the secret leverage point, and that is the best of it.â
âAnd it doesnât matter where you are or who you are.â
âNo.â
âAnd the danger is of becoming no one nowhere.â
âNever mind.â
Kate parses it out with the keen male bent of her mind and yet with her womanâs despair. Therefore I take care to be no more serious than she.
âOn the other hand, if you sit back here and take a little carcass out of the garbage can, a specimen which has been used and discarded, there remains something left over, a clue?â
âYes, but letâs go.â
âYouâre a cold one, dear.â
âAs cold as you?â
âColder. Cold as the grave.â She walks about tearing shreds of flesh from her thumb. I say nothing. It would take very little to set her off on an attack on me, one of her âfrankâ appraisals. âIt is possible, you know, that you are overlooking something, the most obvious thing of all. And you would not know it if you fell over it.â
âWhat?â
She will not
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