The Museum of Abandoned Secrets
strength—our boys stepped up to the noose with their heads held proud and high, called out to the crowd with their last breath, “Glory to Ukraine!” and the human sea rumbled, swelling with the wrath of forced silence, and at night dozens more ran off into the woods to volunteer and win themselves a death like that—a death of free men. And we already knew: for every force that enslaves, there will be another, greater force—German for the Polish, Russian for the German. Only the force of liberation has no match: it is the one and the same and combats all tribes and peoples, however many there are on this earth.
Our new war is no longer fought by the doctrine of Von Clausewitz, whose books we studied in underground training—not for a bridge, or a railway station, or even this or that inhabited locality. And although we do maintain our ward administration in all Western Ukrainian lands, we can’t afford to keep paying for it with growing losses and deportations the enemy chooses when they can do nothing else to us, because in another ten years of this contest the Soviets may just win for themselves a Ukraine without Ukrainians, as the Poles had already done with our lands beyond the Curzon Line. We stand against Moloch who stops at nothing, but we are the ones who are called to account to the thirty million souls of the nation whose freedom we have vowed to win. We fight for nothing if not for people’s souls, every day and every minute, and in this war we have a singular right—to die. And the right to lose is not ours.
All this Adrian should have said to Stodólya—but didn’t. Didn’t know how to say it. Such conversations were ill suited to Stodólya—he was too certain of his own strength. He was stuffed full of it like a strongbox with dynamite. A rock of a man, that Stodólya, hard as a rock wall. Listening to him upbraid Geltsia—it was like he turned her into an inanimate object, a lecture prop, an SMG taken apart and cleaned for the benefit of rookies who’ve yet to see fire, and she sat there blushing all the way down into the collar of her gimnastiorka and didn’t dare breathe a word in her own defense (after all, Stodólya was her superior, and she was his secretary)—Adrian worried above all that she would burst into tears. (It was afterward, much later, that she confided to him that she had lost the ability to cry in the fall of ’45 when she lost her most intimate friend—the girl had a wound to her stomach and she, Geltsia, then still Zirka, sitting up with her waiting for medical assistance, let the exhaustion put her to sleep—and awoke when she brushed against her friend’s already cold body; she showed him photographs of that friend—a thin-faced, dark-haired girl, pensive as if in anticipation of the near end. The deceased sometimes have that expression not long before death—as though theirflesh, already sentenced by fate, wears thin, becomes threadbare, and lets through the imminent otherworldliness. Geltsia looked at the photograph, too, along with him, and her eyes, although red from lack of sleep, were dry.)
He did find a chance to edge into Stodólya’s diatribe, break up his verbal offensive with a few apt lines, ease the tension in the room—he had the knack for it. The underground had given him much experience in getting along with people of all temperaments. He reminded all of them together, in the world’s calmest voice: we have the order of the Supreme Command—feed the hungry. And that’s it. Period. No use flogging a dead horse. They are our brothers and we are saving Ukraine’s next generation. And another thing: if we won’t give a hungry man a piece of bread, how are we different from the Bolsheviks who feed only the ones they choose, their handmaidens—some with pea soup and some with the caviar from officers’ rations? Stodólya’s face grew even darker at that, but he said nothing. And then the courier came with the photographer, and they went to arrange themselves for the picture—he on one side, Stodólya on the other, next to Geltsia.
A sort of effervescence came over everyone then, and they laughed and joked with the photographer. Geltsia did, too—as though there had been no unpleasantness whatsoever.
Maybe he just didn’t understand women? Maybe she actually liked Stodólya’s annihilating upbraiding, being dragged over the coals by a tank like that—maybe she liked it when he showed that he was in command of her? And when
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