The Museum of Abandoned Secrets
collapse like the man he killed, and he will now see everything he did not stay to watch earlier on Serbska. This painfully clear, visceral realness of the memory is the most surprising part of it all—that it should be so perfectly alive after being pried out of some long-barricaded corner of his past that he considered irrevocably severed from his present: this is the amazement he felt as a little boy when, in themiddle of the winter, he beheld the gleaming round smoothness of an apple pulled from the cellar where it had been kept in its underground nest of straw—by what magic did it preserve that smoothness, that deep, slightly bitter breath of autumnal orchards?
He does not collapse; he is carried forward, dizzy with the merciless shortening of the distance between them, and his past melts inside him with brutal, catastrophic speed. He sees himself as one does in one’s moment of death—or the instant after dying?—from outside: among all the people out walking on this downtown street at this early hour, he is the most vulnerable, an open moving target. A slow, wet, gaping wound.
TICK...TICK...TICK...TICK...
My name—Adrian Ortynsky.
He is happy.
He sees with great clarity the wet rounds of cobblestones, and the hem of ice at the edge of the sidewalk, and the shiny streetcar tracks. He sees before him, growing closer with every step, the two girls’ faces: one, Nusya’s, as though muted, dim, and the other—yes, he knew, he’d been told that there would be two of them, that Nusya would bring a companion, but Lord, who could imagine!—the other blazes in his eyes like a dazzling flare that remains after looking at the sun; he can’t see her features, but he doesn’t have to see them in order to know—with his entire being, his whole life at once—it is She.
She.
TICK...TICK...TICK...TICK...“I have time, I will wait,” the orchestra plays, and the couples spin on the dance floor. How long he’s been waiting—all these years, and he didn’t even know it. And now the waiting is over.
Closer. Closer still. Another moment—and his hand would fall into hers. He is not surprised to notice that it suddenly begins to snow—someone up above also waited for this moment to give his signal, to let large white flakes spin in the air, settle on Her hair, the golden curls around the small beret, on Her eyelashes, instantly fuzzy as though bleached. Her eyelashes. Her lips.
Somewhere in the back of his mind a watchful half-thought perks up, as if transplanted from someone else’s mind, that snow is bad news, he’ll leave tracks when he runs across the park—but nothing of this kind has any chance of rising to the surface of his consciousness at the moment. Does she recognize him? She is snowflaked. Smiling. Serene. Snow Queen—that’s what he called her that night when he walked her home, to the Professors’ Colony far up Lychakivska, her tall lace-up boots leaving tiny, miniscule impressions in the snow, child’s tracks, and when he pointed it out to her, she indulged him with a small laugh, slightly coy, “What fancy is that, Mister Adrian; it’s just my foot, it’s plenty common.” “But I insist, Miss Gela, be so kind as to compare,” and he carefully planted his bear paw next to her little delicate trace like an imprint of a flower petal with the minute bud of her heel at the bottom, and it felt as though he were protecting it from a stranger’s prying eyes, shielding her with his own imprinted presence—“Take a look, be so kind, I insist”—once, and again, and the whole way home. To see their footprints next to each other, again and again, was rapture beyond compare, like touching her in some mysteriously intimate way, and when she flitted away from him, almost startled, when she drew back her hand and hid in her towered fortress—her eminent professorial villa guarded by a quietly watchful army of relatives and maids, invisible at this late hour, and with doors that creaked like a living baritone in surprise—he remained standing just outside her porch, rooted to the spot where she had abandoned him, without the slightest idea of where he should go next or why.
The sparse garland of petals threaded by her tiny booted feet led away from him and ended, like his thoughts, at the door; then a second-floor window lit up and her shadow swung onto the curtain, filling him with a new wave of joy, so he stood there for a long time not taking his eyes off that tall window,
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