The Ocean at the End of the Lane: A Novel

field, tires sunk deep in the brown mud. We drove past it, parked on the grass verge. The policeman let me out, and the three of us walked over to the Mini, while the policeman told my dad about crime in this area, and why it was obviously the local kids had done it, then my dad was opening the passenger side door with his spare key.
    He said, “Someone left something on the back seat.” My father reached back and pulled the blue blanket away, that covered the thing in the back seat, even as the policeman was telling him that he shouldn’t do that, and I was staring at the back seat because that was where my comic was, so I saw it.
    It was an it, the thing I was looking at, not a him.
    Although I was an imaginative child, prone to nightmares, I had persuaded my parents to take me to Madame Tussauds waxworks in London, when I was six, because I had wanted to visit the Chamber of Horrors, expecting the movie-monster Chambers of Horrors I’d read about in my comics. I had wanted to thrill to waxworks of Dracula and Frankenstein’s Monster and the Wolf-man. Instead I was walked through a seemingly endless sequence of dioramas of unremarkable, glum-looking men and women who had murdered people—usually lodgers, and members of their own families—and who were then murdered in their turn: by hanging, by the electric chair, in gas chambers. Most of them were depicted with their victims in awkward, social situations—seated around a dinner table, perhaps, as their poisoned family members expired. The plaques that explained who they were also told me that the majority of them had murdered their families and sold the bodies to anatomy . It was then that the word anatomy garnered its own edge of horror for me. I did not know what anatomy was. I knew only that anatomy made people kill their children.
    The only thing that had kept me from running screaming from the Chamber of Horrors as I was led around it was that none of the waxworks had looked fully convincing. They could not truly look dead, because they did not ever look alive.
    The thing in the back seat that had been covered by the blue blanket (I knew that blanket. It was the one that had been in my old bedroom, on the shelf, for when it got cold) was not convincing either. It looked a little like the opal miner, but it was dressed in a black suit, with a white, ruffled shirt and a black bow-tie. Its hair was slicked back and artificially shiny. Its eyes were staring. Its lips were bluish, but its skin was very red. It looked like a parody of health. There was no gold chain around its neck.
    I could see, underneath it, crumpled and bent, my copy of SMASH! with Batman, looking just as he did on the television, on the cover.
    I don’t remember who said what then, just that they made me stand away from the Mini. I crossed the road, and I stood there on my own while the policeman talked to my father and wrote things down in a notebook.
    I stared at the Mini. A length of green garden hose ran from the exhaust pipe up to the driver’s window. There was thick brown mud all over the exhaust, holding the hosepipe in place.
    Nobody was watching me. I took a bite of my toast. It was burnt and cold.
    At home, my father ate all the most burnt pieces of toast. “Yum!” he’d say, and “Charcoal! Good for you!” and “Burnt toast! My favorite!” and he’d eat it all up. When I was much older he confessed to me that he had not ever liked burnt toast, had only eaten it to prevent it from going to waste, and, for a fraction of a moment, my entire childhood felt like a lie: it was as if one of the pillars of belief that my world had been built upon had crumbled into dry sand.
    The policeman spoke into a radio in the front of his car.
    Then he crossed the road and came over to me. “Sorry about this, sonny,” he said. “There’s going to be a few more cars coming down this road in a minute. We should find you somewhere to wait that you won’t be in the way. Would you like to sit in the back of my car again?”
    I shook my head. I didn’t want to sit there again.
    Somebody, a girl, said, “He can come back with me to the farmhouse. It’s no trouble.”
    She was much older than me, at least eleven. Her red-brown hair was worn relatively short, for a girl, and her nose was snub. She was freckled. She wore a red skirt—girls didn’t wear jeans much back then, not in those parts. She had a soft Sussex accent and sharp gray-blue eyes.
    The girl went, with the policeman,