The Second Coming
over the hill, its top appearing first as a swelling in the hot asphalt. In the binoculars it seemed not to approach but to swell and rise until it was a few inches clear of the highway and riding on thick shimmering air. The car, a yellow Continental, was foreshortened and set off at an angle so that the four women passengers, two in front and two in back, appeared to be seated in a row. They were dressed as if they were going to a party, hair done neatly, but at this hour they could only be visiting antique shops or views of valleys and mountains of red leaves. Yes, they were leafers. The car had a Florida license.
Dr. Duk came in. He knocked on the door after opening it and coming in.
Knock knock, he said, hiding in the little foyer.
Whoâs there, she said.
Ivan.
Ivan who?
Ivan to be alone.
This was a bad sign. When Dr. Duk felt obliged to be funny, she was in for it. By enlisting her in his joke, he was trying, one, to be funny, and, two, to give her a âlanguage structureâ so that she, who had stopped talking because there was nothing to say, would have a couple of easy lines, straight man to his comic.
When he said Knock knock, it was not hard to say Whoâs there? Or Ivan who? Perhaps he was right. She could never lead off with a Knock knock. So she had lost most of her speech except for short questions such as Whoâs there? and Ivan who?
Where did he get these knock-knock jokes? Not even her father had told a knock-knock joke for years. Dr. Duk was English. Had knock-knocks just got to England? But Dr. Duk was not quite English. He sounded English and his first name was Alistair, but a faint sootiness underlay his white skin. It reminded her of her mother stirring carbon black into her Williamsburg white paint. Kelso said his real name was Dr. Dukhipoor. Had he got his knock-knock jokes from old Milton Berle reruns in Pakistan? The patients called him Dr. Duck.
Her eyes were asking him something and he knew what it was, but he felt obliged to talk first about his hobbies, birdwatching and gardening. Maybe he was English. There is an advantage to being a small insular people, he said. We make a virtue of our limitationsâah, but you Americans and the Russians with your great continental soul-searchingâheavy, man!âall very well indeed Iâm sure but itâs not a bad thing to do a bit of gardening and take a good look at a pine warbler. Dâyou know the first thing I do when I go to a convention to read a scientific paper? Register in the motel, then take a turn around the block with my glasses. Have a look-see. Nobody walks in your suburbs. Children look at me with absolute astonishment. Parents suspect me of being a molester. Dogs try to bite me. Last year in Phoenix I took a turn with my glasses, stopped at a vacant lot filled with the usual rubbish and weeds, spotted a bit of a commotion, put my glasses on it, and what dâyou suppose it was? A canyon wren! Can you imagine? A canyon wren in a vacant city lot!
Maybe heâs right, she was thinking at the edge of her mind but really watching his face for a sign, a pudding face framed by black hair combed low across his forehead and straight down the sides like Robert Newton. Maybe the Englishman can keep sane in a mad world by watching wrens and puttering about his gardenâah, she thought in her greenhouse, I can have my garden now, yes, more âgrandioseâ than his, he would say, because itâs a crystal palace and Iâm going to live in it and make a living from it. With greens. A greenhouse is for growing greens. But maybe heâs right, and itâs one way to keep from going nutty, but maybe thereâs something nutty too about an Englishman puttering about his mums while the sceptered isle slowly sinks into the sea.
No, he wasnât quite kosher with his too black hair and his puddingish Robert Newton face, and his sooty white skin. Anyhow, the English donât go around talking about âthe Englishâ and âyour suburbsâ and saying âheavy, man.â
Her eyes kept asking him the question, so he answered her, coming smoothly off the knock-knocks and the bird-watching and swinging round to her but offhandedly as if the birds were the important tiling and her illness a detail to be polished off on his way out. Yet it was his very off handedness which caused the familiar sweet doomstroke in her throat. What is this sweetness at the horrid core of bad
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