The Sketch-Book of Geoffrey Crayon

suspect that he knew more about the matter than he chose to tell.
    The old country wives, however, who are the best judges of these matters, maintain to this day that Ichabod was spirited away by supernatural means; and it is a favorite story often told about the neighborhood round the intervening fire. The bridge became more than ever an object of superstitious awe, and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the mill-pond. The schoolhouse, being deserted, soon fell to decay, and was reported to be haunted by the ghost of the unfortunate pedagogue; and the plough-boy, loitering homeward of a still summer evening, has often fancied his voice at a distance chanting a melancholy psalm tune among the tranquil solitudes of Sleepy Hollow.
POSTSCRIPT
FOUND IN THE HANDWRITING OF MR. KNICKERBOCKER.
    THE preceding tale is given almost in the precise words in which I heard it related at a Corporation meeting of the ancient city of Manhattoes, at which were present many of its sagest and most illustrious burghers. The narrator was a pleasant, shabby, gentlemanly old fellow in pepper-and-salt clothes, with a sadly humorous face, and one whom I strongly suspected of being poor, he made such efforts to be entertaining. When his story was concluded there was much laughter and approbation, particularly from two or three deputy aldermen who had been asleep the greater part of the time. There was, however, one tall, dry-looking old gentleman, with beetling eyebrows, who maintained a grave and rather severe face throughout, now and then folding his arms, inclining his head, and looking down upon the floor, as if turning a doubt over in his mind. He was one of your wary men, who never laugh but upon good grounds—when they have reason and the law on their side. When the mirth of the rest of the company had subsided and silence was restored, he leaned one arm on the elbow of his chair, and sticking the other akimbo, demanded, with a slight but exceedingly sage motion of the head and contraction of the brow, what was the moral of the story and what it went to prove.
    The story-teller, who was just putting a glass of wine to his lips as a refreshment after his toils, paused for a moment, looked at his inquirer with an air of infinite deference, and, lowering the glass slowly to the table, observed that the story was intended most logically to prove—
    "That there is no situation in life but has its advantages and pleasures—provided we will but take a joke as we find it;
    "That, therefore, he that runs races with goblin troopers is likely to have rough riding of it.

    "Ergo, for a country schoolmaster to be refused the hand of a
    Dutch heiress is a certain step to high preferment in the state."
    The cautious old gentleman knit his brows tenfold closer after this explanation, being sorely puzzled by the ratiocination of the syllogism, while methought the one in pepper-and-salt eyed him with something of a triumphant leer. At length he observed that all this was very well, but still he thought the story a little on the extravagant—there were one or two points on which he had his doubts.
    "Faith, sir," replied the story-teller, "as to that matter, I don't believe one-half of it myself." D. K.
L'ENVOY.*

        Go, little booke, God send thee good passage,
        And specially let this be thy prayere,
        Unto them all that thee will read or hear,
        Where thou art wrong, after their help to call,
        Thee to correct in any part or all.
                      CHAUCER'S Belle Dame sans Mercie.
    IN concluding a second volume of the Sketch Book the Author cannot but express his deep sense of the indulgence with which his first has been received, and of the liberal disposition that has been evinced to treat him with kindness as a stranger. Even the critics, whatever may be said of them by others, he has found to be a singularly gentle and good-natured race; it is true that each has in turn objected to some one or two articles, and that these individual exceptions, taken in the aggregate, would amount almost to a total condemnation of his work; but then he has been consoled by observing that what one has particularly censured another has as particularly praised; and thus, the encomiums being set off against the objections, he finds his work, upon the whole, commended far beyond its deserts.
    * Closing the second volume of the London edition.
    He is aware