The Thanatos Syndrome
explosions start up again.
âVergil?â
Vergil hits on a way to tell me. Vergil is probably the most decorous man I know. He tells it as a report, as matter-of-factly as if he were reporting the soybean harvest to Lucy, number of bushels, price.
âIn the home movies, that is, the 3-D videos, they had the children doing it with each other.â
âYou mean boys and girls having intercourse?â
âYes.â Vergil clears his throat. âAnd boys with boys. Going down, you know.â
âAnd?â
âThey also have the children with the grown people.â
âI see. What grown people?â
âAll of them. I didnât have much time. I fast-forwarded it, you know.â He clears his throat, drums his fingers on his knees, looks around.
âOkay. What grown people?â
âOkay. Dr. Van Dorn, the Coach, Mr. and Mrs. Brunette.â
âMrs. Cheney?â
Vergil snaps his fingers softly, as if he had forgotten a soybean sale. âMrs. Cheney? Youâre right. Mrs. Cheney.â He nods in appreciation of the correction.
âWhat were they doing?â
âLet me see.â Vergil is drumming his fingers and frowning in routine concentration. âMr. Brunette was with Mrs. Brunette, but not in the regular way, and there were two girls with them. AndâahâDr. Van Dorn was with a little girlâthere was a lot more but I was fast-forwardingâthere wasnât timeââ
âI understand. And thereâs not time now.â
âDonât worry. I have these cassettes. We can look at them later.â He does not know how to tell me.
âI understand, but I need to know now what you saw. Iâm afraid youâre going to have to tell me directly. I know you have a great sense of propriety, but I have to know what you mean when you say that Mr. Brunette was with Mrs. Brunette but not in the regular way and about the two little girls. Ricky cannot hear us.â
âRight,â says Vergil, appearing to take thought, but falls silent.
âGoddamn it, tell me, Vergil. This is important.â
âAll right. Mrs. Brunette was sucking off Mr. Brunette with the two little girls placed in such a way that they could watch, donât you know.â
âI see. And Dr. Van Dorn?â
âOh. Well, he had this child and he was holding her likeâOh. I also picked up these stills.â He is leaning over, fishing in his jacket pocket. âI had to grab what I could.â
âStills?â
In the space on the sofa where Ricky was sitting and out of sight of Ricky, Vergil carefully lines up half a dozen glossy 5x7 photographs, taking care to place them at an angle so I can see them easily and he has to slant his head. Vergil is finding it useful to be overly considerate. There is only time to catch a glimpse of the Coach and Mrs. Cheney, Mrs. Cheney on all fours, naked, the Coach behind her, also naked and kneeling, torso erect above her, and Mr. Brunette kneeling at a young man, not Claude, and Van Dorn lying on his back holding a child aloft as a father might dandle his daughter except thatâwhen there are two knocks at the door, too sharp for knuckles, either boot heel or gun butt.
I sweep up the photos, slip them under the plastic cushion. Strange to say, what sticks in the mind about the photos is not the impropriety but the propriety: Mr. Brunetteâs carefully brushed hair, cut high over the ears and up the neck in 1930s style, the vulnerability, even frailty, of his pale, naked back; the young manâs solemn, smartest-boy-in-the-class expression; the childâsâperhaps a six-year-old girlâdemure, even prissy simper directly at the camera.
âAnd I got these cassettes here,â says Vergil helpfully.
âNever mind,â I say quickly. âThere isnâtââ I see only the top cassette, Little Red Riding Good, showing Little Red Riding Hood without her hood astride the wolf in bed, who is dressed like Grandma in a bonnet and is arched up under her, in a cheerful opisthotonos, keeping her in place with his paws. âJust tell me quickly what the setup is with the additive, the source of the tube there.â
He speaks rapidly, hands on his knees. He could be in his chemistry class at L.S.U. âThey have metal canisters lined up. Theyâre double-walled like a thermos. One was empty, so I could see that. One is upended right there in that corner and
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