The Thanatos Syndrome
you think, Tom?â
âThen why not drink this?â I offer him the Styrofoam mug.
Van Dorn is embarrassed for me. He ventures a swift glance at the others. Vergil is embarrassed too, wonât meet his eyes.
âTom, that is molar sodium 24.â
âI know.â
Now heâs stuffing his pipe from the leather pouch. âTom, may I be frank?â
âYes.â
âAre you quite all right?â
âYes.â
âYou seemâahânot quite yourself. Mr. Bon, is our good friend here all right?â Pausing in his pipe-stuffing, he eyes Vergil shrewdly.
âHeâs fine,â says Vergil, not looking up. Heâs not sure I am all right.
âThen it must be some kind of joke. Because he knows as well as I doâbetter!âthat thatâs molar sodium 24. And he certainly knows what it would do to you.â
âI wasnât intending to drink it,â I say.
âI see.â Van Dorn takes time to light his pipe. âWhy donât I stop this stupid smoking.â He appears to collect himself. âI see. Then who is going to drink it?â
âYou.â
âMe,â says Van Dorn gravely, exchanging a glance with Vergil. âAnybody else?â No one replies. He shakes his head, rolls his eyes toward Vergil.
âCoach next, after you,â I tell him.
Coach, who has been cracking his knuckles in his lap, looks up.
âThen Mr. and Mrs. Brunette. Then Mrs. Cheney.â
âI see,â says Van Dorn, nodding. âAnd youâre not going to tell us what the scam is.â Heâs nodding now.
âI would like for all of you to drink a cup of this.â
Van Dorn becomes patient. âWe hear you, Tom. And I suppose it is a joke of sorts. In any case, we are not going to drink it.â
âI think it would be better if you drank it, Van.â
âOh my,â says Van Dorn in a soft voice. âWell, that seems to leave us at an impasse, doesnât it, Tom?â
âI donât think so.â
âHe doesnât think so, Mr. Bon,â says Van Dorn in the same patient voice, the voice I might use with a young paranoid schizophrenic.
But Vergil doesnât answer or look up.
I notice Coach, who is observing his knuckles. Looking at his head, which is covered by a thick growth of close-cropped blond hair, is like looking into the pile of a rug. At the proper angle one can see the scalp. His neck is as wide as his head, the sternocleidomastoid muscle so enlarged that it flares out the surprisingly fleshy lobe of his ear.
Mr. Brunette crosses his legs, not with ankle over knee but knee over knee, crossing leg dangling almost to the floor. His suit is not at all a preacherâs suit, I notice, but the new Italian drape style, of charcoal silk, loose in the hips, tight in the cuffs. But he wears the sort of short thin socks with clocks fashionable years ago and loafers with leather tassels.
âOkay, gang!â says Van Dorn briskly, and would have clapped his hands, I think, if he wasnât holding his pipe. âI donât know about yâall but I got a school to run. If thereâs nothing else, Doctor?ââwith a slight formal bow to me, eyes fond but distant.
The others are on their feet instantly, following Van Dorn to the door.
âOnly these.â I spread the photos on the plywood table between the sofas.
Van Dorn and the others are looking down at the glossies on their way out, heads politely aslant to see them better, as one might look at the photos of a guest fresh from a trip to Disney World.
I too have the first good look at them.
There are six photographs.
There are details which I missed in my earlier, cursory glance. In the photograph of Mrs. Cheney on all fours, Coach at her from the rear, Mrs. Cheneyâs head is partially hidden between the bare legs of a young person who is supine and whose head and chest are not in the picture. It is not clear whether the young person is a boy or a girl.
In the photograph of Mr. Brunette kneeling at a youth, the youth has both hands on Mr. Brunetteâs carefully barbered head, as if he were steering it, and is gazing down at him with an expression which is both agreeable and incurious. Mr. Brunetteâs bare shoulders are surprisingly frail, the skin untanned.
In the photograph of Van Dorn dandling the child, the child is shown to have been penetrated but only by Van Dornâs glans and certainly not
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