The Thanatos Syndrome
this,â says Mr. Brunette, taking off his glasses and rubbing his nose bridge wearily with thumb and forefinger. âAs the fellow says, Hear this. I am notifying my attorney in short order to do two things: one, to employ a forensic expert who can testify as to the fakery of these phony photos and tapes âand two, to bring charges of libel against anyone who undertakes to use them for malicious purposes. That includes you, Dr. More. Frankly though, I think it is somebodyâs idea of a jokeâa very bad joke and a very sick somebody.â Wearily he wipes his closed eyes. He puts his hands deep into the loose pockets of his drape trousers, clasps hands to knees, stands up briskly as if to leave.
âDid you say tapes, Mr. Brunette?â I ask.
Eyes still closed, he waves me off. âTapes, photos, Whatever.â
âNo one mentioned tapes,â I tell Mr. Brunette.
Vergil still canât bring himself to look at the pictures or anybody. He sits perfectly symmetrically, hands planted on knees, eyes focused on a point above the photos, below the people.
The uncle, still on the prowl, stops behind my chair, gives me a nudge on the shoulder. âSheâs still a damn fine-looking woman,â he actually whispers.
âCut it out,â I tell him. âSit down. No, stand by the door.â
âNo problem,â says the uncle.
Coach, who canât decide whether to go or stay, settles for a game of Star Wars 4.
Van Dorn sits comfortably on the sofa opposite me. He knocks out his pipe on the brick floor, settles back, sighs.
He makes a rueful face at Coach and the exploding satellites. âI sometimes think we belong to a different age, Tom.â
âYes?â
âDid I ever tell you what I think of your good wife?â
âYou spoke of her bridge-playing ability.â
âI know. But I didnât mention the fact that she is a great lady.â
âThank you, Van.â
The plantation bell rings. Van Dorn puts his hands on his knees, makes as if to push himself up, yawns. âWell, Iâll be on my way.â
âNot quite yet, Van.â
He pushes himself up. âWhat do you mean, Tom?â says Van, smiling.
âI mean youâre not leaving.â
âAh me.â Van Dorn is shaking his head. âIâll be frank with you, Tom. I donât know whether youâre ill and, if so, what ails you. At this point I donât much care. I bid you good day.â He starts for the door.
âIâm afraid not, Van.â
âMove, old man,â says Van Dorn to the uncle.
âNo, Van,â I say.
Van Dorn turns back to me. Now heâs standing over me. âDo I have to spell it out for you?â he asks, shaking his head in wonderment.
âSure. Spell it out for me.â For some reason my nose has begun to run. My eyes water. I take out a handkerchief.
âI think youâve got some sort of systemic reaction, Tom.â
âYouâre probably right.â
âYouâve been ill before.â
âI know.â
âYouâve harbored delusions before.â
âI know.â
âYou want to know one reason I think youâre ill?â
âYes.â
âYou donât seem to realize your position. Isnât that what you shrinks call the breakdown on the Reality Principle?â
âSome of them might. What is my position?â
âYour position, Tomâwhich, as you know, is none of my doingâis that you either join the teamâand as you yourself have admitted, you approve their goals, you just donât have any more use for some of those NIH assholes like Comeaux, nor do Iâor you go back to Alabama. Youâre in violation of your parole. You know that, Tom. Come on! You donât want that! I donât want that. All I have to do is pick up that phone.â
âI thought you said the phones didnât work.â
âThey work now. As for those phony photosââ
âYes?â I am blowing my nose and wiping my eyes with a soggy handkerchief.
âThere are two theoretical possibilitiesâ Let me give you some tissues, Tom.â
âThanks. Thatâs better. What are the two possibilities?â During the great crises of my life, I am thinking, I, develop hay fever. There is a lack of style hereâlike John Wayne coming down with the sneezes during the great shootout in Stagecoach. Oh well.
âConsider,
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