The Thanatos Syndrome
voiceâdoctor showing slides at a medical conferenceâI explain the exemption of Fedville from treated water, the sodium-additive arrangement, the presenting behavior of Mrs . Cheney, the anal lesions of this child, her curious linguistic regression, the extraordinary I.Q. of that childânot omitting Rickyâs perfect score in Concentration.
âRicky?â says Bob, not comprehending.
âRicky is all right, Bob. Heâs at Lucyâs house.â
âWhat?â says Bob. âRicky?â
âI understood you wanted to have him in the program, Bob.â
âYeah, but at first-level minimum dosage, to improve hisâhe was flunking mathâJesus, they didnâtâIs he all right?â
âHeâs fine. Heâs not injured. Heâs with Claude at Lucyâs house. You can pick him up any time.â
âThank God,â says Bob. âThanks, Tom.â
âThatâs okay, Bob. Heâs with Claude at Lucyâs house.â
âJesus,â says Bob.
Max seems not to be listening. His attention seems to be caught by one photograph, the one depicting Van Dorn supine, bearing the child aloft and impaled between his knees, the childâs expression, demure, as pleased as if she had just won the spelling bee, legs kicking up happily. The child is facing the camera and therefore appears to be looking at the viewer of the photograph.
As Max examines the photographs he falls into an old habit, hissing a tune between tip of tongue and teeth, which I remember him doing as house physician standing with a patientâs chart in the nursesâ stationâa sinister, amiable hissing, the attending intern casting about: How did I screw up this time?
Max is also nodding in his old abstracted way. âSo,â he says to no one.
Bob Comeaux has come alongside, head medically-comradely aslant, like the attending physician co-inspecting an X-ray with the chief on grand rounds. He too is nodding, hands in pockets, upper lip folded against his teeth.
âBob,â he says in his old ominous-gentle, grand-rounds voice, head back, looking along his cheek. âJust what are we doing here?â
Bob is clucking back-of-tongue-from-teeth tck tck tck meditatively, resident considering case: itâs amazing how everything you do, even late in life, you did in school.
Silence, except for the spirituals.
âWhat are we doing here?â Max asks again.
âWe are listening to the darkies singing,â I say.
âAll I can say is this,â says Bob Comeaux. Heâs squinting into the afternoon sunlight, hat in his hands, head leaning back against the jamb. âI donât know about those, whatever they areââhe nods toward, without quite looking at, the photographsââbut I will say this, you try the best you can to help folks. And what do you get? Iâll tell you what you get. You get the same thing Lister got, Galileo got, Pasteur got. Ridicule. Did that son of a bitch use Ricky?â he asks in a different voice.
âRickyâs okay, Bob.â
Silence, except for the singing.
I looked over Jordan and what did I see,
Coming for to carry me home.
A band of angels coming after me,
Coming for to carry me home.
âDonât tell me thatâs not beautiful,â says Bob absently.
âRight, Bob,â I say. âNow hereâs what we ought to do.â I exchange glances with Maxâone of our âgroupâ glances. We understand each other. We know something movies and TV donât know. Hereâs where movies and TV go wrong. You donât shoot X for what he did to Y, even though he deserves shooting. You allow X a way out so he can help Y. X is going to have enough trouble as it is. Max already recognizes a tone in my voice, the clinical-helper voice of the âresource personâ in group therapy. He and I have run many a group. Itâs like two cops playing tough cop and softy cop.
âWhatâs that, Doctor?â asks Max in his tough cop voice.
âThis is just an idea to kick around. I was thinking: Now that Blue Boy is closed down, wouldnât it make sense to use the NIH discretionary funds and the Ford money to help Father Smith reactivate the hospice? The good Father is a nut, as we all know, but his place can be useful as a facility for your terminal casesâfor one thing, save you an awful lot of money. Heâs going to need all the help we
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