The Vanished Man
black cat). She then ran the gruesome scene in the young man’s apartment, processed the body and assembled the evidence.
She was heading for her car when Sellitto stopped her.
“Hey, hold on, Officer.” He hung up his phone, on which he’d apparently just had a difficult conversation, to judge from his scowl. “I’ve gotta meet with the captain and dep com about the Conjurer case. But I need you to do something for me. We’re going to add somebody to the team. I want you to pick him up.”
“Sure. But why somebody else?”
“ ’Cause we’ve had two bodies in four hours and there’re no fucking suspects,” he snapped. “And thatmeans the brass aren’t happy. And here’s your first lesson about being a sergeant—when the brass ain’t happy, you ain’t happy.”
• • •
The Bridge of Sighs.
This was the aerial walkway connecting the two soaring towers of the Manhattan Detention Center on Centre Street in downtown Manhattan.
The Bridge of Sighs—the route walked by the grandest Mafiosos with a hundred hired kills to their names. Walked by terrified young men who’d done nothing more than take a Sammy Sosa baseball bat to the asshole who’d knocked up their sister or cousin. By edgy cluckheads who’d killed a tourist for forty-two dollars ’cause I needed the crack, needed the rock, needed it, man, I needed it. . . .
Amelia Sachs crossed the bridge now, on her way to detention—technically the Bernard B. Kerik Complex but still known informally as the Tombs, a nickname inherited from the original city jail located across the street. Here, high above the governmental ’hood of the city, Sachs gave her name to a guard, surrendered her Glock (she’d left her unofficial weapon—a switchblade—in the Camaro) and entered the secure lobby on the other side of a noisy, electric door. It groaned shut.
A few minutes later the man she was here to pick up came out of a nearby prisoner interview room. Trim, in his late thirties, with thinning brown hair and a faint grin molded into his easygoing face. He wore a black sportscoat over a blue dress shirt and jeans.
“Amelia, hey there,” came the drawl. “So I can hitch a ride with you up to Lincoln’s place?”
“Hi, Rol. You bet.”
Detective Roland Bell unbuttoned his jacket and she caught a glimpse of his belt. He, too, in accordance with regs, was weaponless but she noticed two empty holsters on Bell’s midriff. She remembered when they worked together they often compared stories of “driving nails,” a southernism for shooting—one of his hobbies and for Sachs a competitive sport.
Two men who’d also been in the prisoner interview room joined them. One was in a suit, a detective she’d met before. Crew cut Luis Martinez, a quiet man with fast, careful eyes.
The second man wore Saturday business clothes: khaki slacks and a black Izod shirt, under a faded windbreaker. He was introduced to Sachs as Charles Grady though Sachs knew him by sight; the assistant district attorney was a celebrity among New York law enforcers. The lean, middle-aged Harvard Law grad had remained in the D.A.’s office long after most prosecutors had fled to more lucrative pastures. “Pit bull” and “tenacious” were just two of the many clichés the press regularly applied to him. He was likened favorably to Rudolph Giuliani; unlike the former mayor, however, Grady had no political aspirations. He was content to stay in the prosecutor’s office and pursue his passion, which he described simply as “putting bad guys in jail.”
And which he happened to be damn good at; his conviction record was one of the best in the history of the city.
Bell was here thanks to Grady’s current case. The state was prosecuting a forty-five-year-old insurance agent who lived in a small rural town in upstate New York. AndrewConstable was known less for writing home-owner’s policies, though, than for his local militia group, the Patriot Assembly. He was charged with conspiracy to commit murder and hate crimes and the case had been moved down here on a change of venue motion.
As the trial date approached, Grady had begun to get death threats. Then a few days ago the prosecutor had received a call from the office of Fred Dellray, an FBI agent who often worked with Rhyme and Sellitto. Dellray was currently in parts unknown on a classified anti-terrorist assignment but fellow agents had learned that a serious attempt on Grady’s life might be
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