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The War of Art

The War of Art

Titel: The War of Art
Autoren: Steven Pressfield
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our turning pro? Because Resistance is a bully. Resistance has no strength of its own; its power derives entirely from our fear of it. A bully will back down before the runtiest twerp who stands his ground.
     
    The essence of professionalism is the focus upon the work and its demands, while we are doing it, to the exclusion of all else. The ancient Spartans schooled themselves to regard the enemy, any enemy, as nameless and faceless. In other words, they believed that if they did their work, no force on earth could stand against them. In The Searchers , John Wayne and Jeffrey Hunter pursue the war chief, Scar, who has kidnapped their young kinswoman, played by Natalie Wood. Winter stops them, but Wayne’s character, Ethan Edwards, does not slacken his resolve. He’ll return to the trail in spring, he declares, and, sooner or later, the fugitive’s vigilance will slacken.
     
    ETHAN
     
    Seems he never learns there’s such a thing as a critter that might just keep comin’ on. So we’ll find ‘em in the end, I promise you that. Just as sure as the turning of the earth.
     
    The pro keeps coming on. He beats Resistance at its own game by being even more resolute and even more implacable than it is.

 
    NO MYSTERY
    ----
     
    There’s no mystery to turning pro. It’s a decision brought about by an act of will. We make up our minds to view ourselves as pros and we do it. Simple as that.

 
    BOOK THREE
    ___________
     
    BEYOND RESISTANCE
     
    The Higher Realm

 
     
     
    The first duty is to sacrifice to the gods and pray them to grant you the thoughts, words, and deeds likely to render your command most pleasing to the gods and to bring yourself, your friends, and your city the fullest measure of affection and glory and advantage.
     
    –Xenophon,
    The Cavalry Commander

 
    ANGELS IN THE ABSTRACT
    ----
     
    The next few chapters are going to be about those invisible psychic forces that support and sustain us in our journey toward ourselves. I plan on using terms like muses and angels.
     
    Does that make you uncomfortable?
     
    If it does, you have my permission to think of angels in the abstract. Consider these forces as being impersonal as gravity. Maybe they are. It’s not hard to believe, is it, that a force exists in every grain and seed to make it grow? Or that in every kitten or colt is an instinct that impels it to run and play and learn.
     
    Just as Resistance can be thought of as personal (I’ve said Resistance “loves” such-and-such or “hates” such-and-such), it can also be viewed as a force of nature as impersonal as entropy or molecular decay.
     
    Similarly the call to growth can be conceptualized as personal (a daimon or genius , an angel or a muse) or as impersonal, like the tides or the transiting of Venus. Either way works, as long as we’re comfortable with it. Or if extra-dimensionality doesn’t sit well with you in any form, think of it as “talent,” programmed into our genes by evolution.
     
    The point, for the thesis I’m seeking to put forward, is that there are forces we can call our allies.
     
    As Resistance works to keep us from becoming who we were born to be, equal and opposite powers are counterpoised against it. These are our allies and angels.

 
    APPROACHING THE MYSTERY
    ----
     
    Why have I stressed professionalism so heavily in the preceding chapters? Because the most important thing about art is to work. Nothing else matters except sitting down every day and trying.
     
    Why is this so important?
     
    Because when we sit down day after day and keep grinding, something mysterious starts to happen. A process is set into motion by which, inevitably and infallibly, heaven comes to our aid. Unseen forces enlist in our cause; serendipity reinforces our purpose.
     
    This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.
     
    Just as Resistance has its seat in hell, so Creation has its home in heaven. And it’s not just a witness, but an eager and active ally.
     
    What I call Professionalism someone else might call the Artist’s Code or the Warrior’s Way. It’s an attitude of egolessness and service. The Knights of the Round Table were chaste and self-effacing.
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